Analytical Cubism

…is often referred to as Analytical Cubism. During this period, the work of Picasso and Braque became so similar that their paintings are almost indistinguishable. Analytical Cubist paintings by both artists show the breaking down, or analysis, of form. Picasso and Braque favoured right-angle and straight-line construction, though occasionally some…

…came to be known as Analytical Cubism. Early Cubist paintings were often misunderstood by critics and viewers because they were thought to be merely geometric art. Yet the painters themselves believed they were presenting a new kind of reality that broke away from Renaissance tradition, especially from the use of…

…alpinists—reached the high point of Analytical Cubism. The works Braque and Picasso created during these years are practically interchangeable. The artists broke down planes and eliminated traditional perspectival space, which resulted in crowded canvases of subjects depicted so broken apart that they were nearly impossible to perceive. This formal breakdown…

…influenced by his contact with Analytical Cubism in Paris before 1914, Mondrian thought that it had fallen short of its goal by not having developed toward pure abstraction, or, as he put it, “the expression of pure plastics” (which he later called Neoplasticism). In his search for an art of…

If Analytical Cubism, as this phase is generally labeled, analyzed anything, it was the nature of the treatment. The great Cubist pictures were meditations on the intrinsic character of the detached Cézannesque facets and contours, out of which the almost-illegible images were built. Indeed, the objects…