patronage

art

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Assorted References

  • influence on Molière
    • Molière
      In Molière: Early life and beginnings in theater

      …know the extent of Philippe’s patronage, which lasted seven years, until the king himself took over the company known as “Troupe du roi.” No doubt the company gained a certain celebrity and prestige, invitations to great houses, and subsidies (usually unpaid) to actors, but not much more.

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contribution to arts

    • architecture
      • James Paine and Robert Adam: Kedleston Hall
        In Western architecture: England

        During the 16th century the patron played a much greater role in the development of English Renaissance architecture than did the architect; there were almost no professional architects who were trained as the Italians were in the theory of design and building. Most of the building was executed by mason…

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    • art market history
      • art market
        In art market

        …artist or craftsman and a patron, who might be either a private individual or, as was often the case in the European Middle Ages (approximately 450–1400 ce), an institution such as the Roman Catholic Church. In such cases the work of art might be site-specific, as with a fresco or…

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    • coinage
      • Herodian coin
        In coin: Italy and Sicily

        The patronage given by the popes to notable artists—e.g., Francia and Benvenuto Cellini—resulted in a fine and often lavish standard of design in their coins and medals. Similar patronage was shown by the noble houses of Ferrara, Mantua, Milan, and elsewhere, whose coinages from the 15th…

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    • East Asian performing arts
      • Liangzhu ceremonial cong
        In East Asian arts: Social conditions

        …and military rulers (shoguns) all supported performers at their courts. During the Tang dynasty, the 8th-century Chinese emperor Xuanzong (also called Minghuang) established schools in the palace city of Chang’an (Xi’an) for music, dancing, and acting. The latter school was called the Pear Garden (Liyuan); ever since, actors in China…

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    • literature
      • To the Lighthouse
        In novel: Social and economic aspects

        …build even fewer hopes on patronage: Harriet Shaw Weaver, James Joyce’s patroness, was probably the last of a breed that, from Maecenas on, once intermittently flourished; state patronage—as represented, for instance, by the annual awards of the Arts Council of Great Britain—can provide little more than a temporary palliative for…

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    • museums
      • National Gallery of Art
        In museum: Royal collections

        Royal patronage was crucial to the encouragement of the arts at this time. Rudolf II sponsored astrologers and alchemists as well as artists. Francis I of France invited famed French and Italian craftsmen and artists, including Leonardo da Vinci, to rebuild and embellish his château at…

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    promotion in

      • Bourbon France
        • France
          In France: French culture in the 17th century

          …a key figure in the artistic and architectural development of Paris during his years in power. He was fortunate to employ the great architect Jacques Lemercier, who built for him, close to the Louvre, the Palais-Cardinal, later the Palais-Royal; it contained two theatres and a gallery for the cardinal’s objets…

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      • Florence
        • Italy
          In Italy: Florence of Italy

          …orders and also by granting patronage to writers and artists. He granted commissions to the sculptor Donatello and the architects Michelozzo (Medici Palace) and Filippo Brunelleschi (the choir and nave of San Lorenzo) and constructed villas in the countryside at Careggi and Cafaggiolo. Founder of a great library, he subsidized…

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      • London
        • London
          In London: Centers of the arts

          …diversity of rival centers of patronage. Royal patronage created the Royal Albert Hall, which every summer provides the setting for one of the world’s greatest music festivals, the Henry Wood Promenade Concerts, known popularly as the Proms. Municipal patronage, first of the London County Council and later of the Greater…

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      • Ottoman Empire
        • This map shows the territorial expansion of the Ottoman Empire from 1300 to its greatest extent in 1683-99, highlighting different periods under rulers such as Mehmed II, Selim I, and Süleyman the Magnificent, and marking key cities, seas, and geographical boundaries in Europe, North Africa, and the Middle East.
          In Turkish literature: Movements and poets

          Patronage for Ottoman poets in the classical age took a variety of forms. The location of this patronage varied as well: poets were attached to the imperial household in Bursa or, later, Istanbul, or they were supported at the provincial Anatolian courts of the Ottoman…

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      • Qing dynasty
        • ceremonial hu
          In Chinese painting: Qing dynasty (1644–1911/12)

          …to orthodox academicism characterized their patronage at court. In regard to the former, they favoured artists such as Yuan Jiang, who, in the reign of Kangxi, combined with great decorative skill the model of Guo Xi and the mannered distortions that had cropped up in the late Ming (1368–1644), partly…

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      • 17th- and 18th-century Europe
        • Encyclopædia Britannica: first edition, map of Europe
          In history of Europe: Nobles and gentlemen

          …in the pretensions of some patrons; illusions of grandeur are rarely the best basis for the conceiving of great art. The importance of bourgeois patronage should not be overlooked, otherwise no account would be taken of Holland’s golden age. Where taste was unaffected by the need for display (as could…

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      • Southeast Asia
      Quick Facts
      Philadelphus in Greek:
      “Brother-Loving”
      Born:
      308 bce, Cos
      Died:
      246
      Title / Office:
      king (285BC-246BC), Egypt
      Notable Family Members:
      spouse Arsinoe I
      spouse Arsinoe II
      daughter Berenice

      Ptolemy II Philadelphus (born 308 bce, Cos—died 246) was the king of Egypt (285–246 bce), second king of the Ptolemaic dynasty, who extended his power by skillful diplomacy, developed agriculture and commerce, and made Alexandria a leading centre of the arts and sciences.

      Life

      Reigning at first with his father, Ptolemy I Soter, he became sole ruler in 283–282 and purged his family of possible rivals. This dynastic strife led also to the banishment of his first wife, Arsinoe I, daughter of King Lysimachus of Thrace. Ptolemy then married his sister, Arsinoe II, an event that shocked Greek public opinion but was celebrated by the Alexandrian court poets. Taking advantage of the difficulties of the rival kingdoms of the Seleucids and Antigonids, Ptolemy II extended his rule in Syria, Asia Minor, and the Aegean at their expense and asserted at the same time his influence in Ethiopia and Arabia. Egyptian embassies to Rome as well as to India reflect the wide range of Ptolemy’s political and commercial interests.

      Although a new war with the Seleucids (from 274 to 270) did not affect the basic position of the rival kingdoms, the so-called Chremonidean War (268?–261), stirred up by Ptolemy against Antigonus II Gonatas, king of Macedonia, resulted in the weakening of Ptolemaic influence in the Aegean and brought about near disaster to Ptolemy’s allies Athens and Sparta. Ptolemy was no more successful in the Second Syrian War (c. 260–253), fought against the coalition of the Seleucid king Antiochus II and Antigonus Gonatas. The unsuccessful course of the military operations was compensated for, to a certain degree, by the diplomatic skill of Ptolemy, who first managed to lure Antigonus into concluding a separate peace (255) and then brought the war with the Seleucid Empire to an end by marrying his daughter, Berenice—provided with a huge dowry—to his foe Antiochus II. The magnitude of this political masterstroke can be gauged by the fact that Antiochus, before marrying the Ptolemaic princess, had to dismiss his former wife, Laodice. Thus freed for the moment from Seleucid opposition and sustained by the considerable financial means provided by the Egyptian economy, Ptolemy II devoted himself again to Greece and aroused new adversaries to Antigonid Macedonia. While the Macedonian forces were bogged down in Greece, Ptolemy reasserted his influence in the Aegean, making good the setback suffered during the Chremonidean War. He further improved his position by arranging for the marriage of his son (and later successor) Ptolemy III Euergetes to the daughter of King Magas of Cyrene, who had proved so far a very troublesome neighbour. Not aiming at outright hegemony (even less imperialistic conquest) in the Hellenistic world of the eastern Mediterranean, Ptolemy II tried nonetheless to secure for Egypt as good a position as possible, holding at large his rivals beyond a wide buffer zone of foreign possessions. Without being completely successful, he managed to let his allies bear the brunt of the heaviest reverses, healing his own military wounds with diplomatic remedies. The influence on Ptolemy of his wife and sister Arsinoe II, particularly in foreign affairs, was certainly substantial, though not as extensive as claimed by some contemporary authors.

      Napoleon Bonaparte. Napoleon in Coronation Robes or Napoleon I Emperor of France, 1804 by Baron Francois Gerard or Baron Francois-Pascal-Simon Gerard, from the Musee National, Chateau de Versailles.
      Britannica Quiz
      Kings and Emperors (Part III) Quiz

      Influence

      Ptolemy II’s record in domestic affairs is no less impressive. From pharaonic times onward, agriculture and the work of artisans in Egypt had been highly organized. Under Ptolemy’s supervision and with the help of Greek administrators, this system developed into a kind of planned economy. The peasant masses of the Nile Valley provided cheap labor, so that the introduction of slavery on a broad basis was never considered an economic necessity in Ptolemaic Egypt. Ptolemy II became a master at the fiscal exploitation of the Egyptian countryside; the capital, Alexandria, served as the main trading and export center. Ptolemy II displayed a vivid interest in Greek as well as in Egyptian religion, paid visits to the sanctuaries in the countryside, and spent large sums erecting temples. Anxious to secure a solid position for, and religious elevation of, his dynasty, the King insisted upon divine honours not only for his parents but also for his sister and wife Arsinoe II and himself as theoi adelphoi (“brother gods”). He thus became one of the most ardent promoters of the Hellenistic ruler cult, which in turn was to have a far-reaching influence on the cult of the Roman emperors.

      Under Ptolemy II, Alexandria also played a leading role in arts and science. Throughout the whole Mediterranean world the King acquired a reputation for being a generous patron of poets and scholars. Surrounding himself with a host of court poets, such as Callimachus and Theocritus, he expanded the library and financed the museum, a research centre founded as a counterweight to the more antimonarchial Athenian schools. Learning there was not confined to philosophy and literature but extended also to include mathematics and natural sciences. The age of Ptolemy II coincided with the apex of Hellenistic civilization; its vigour and glamour were a result of the still fresh forces of Greek leadership in the eastern Mediterranean. Ptolemy II was no man of peace, but neither was he one of the warlike Hellenistic soldier-kings. A prudent and enlightened ruler, he found his strength in diplomatic ability and his satisfaction in a vast curiosity of mind.

      Heinz Heinen