Alison Lurie
- Awards And Honors:
- Pulitzer Prize
- Notable Works:
- “Clever Gretchen and Other Forgotten Folktales
- “Fabulous Beasts”
- “Foreign Affairs”
- “Heavenly Zoo: Legends and Tales of the Stars, The”
- “Imaginary Friends”
- “Love and Friendship”
- “Only Children”
- “Real People”
- “The Last Resort”
- “The Nowhere City”
- “The Truth About Lorin Jones”
- “The War Between the Tates”
- “Truth and Consequences”
- “Women and Ghosts”
Alison Lurie (born September 3, 1926, Chicago, Illinois, U.S.—died December 3, 2020, Ithaca, New York) was an American writer whose urbane and witty novels usually feature upper-middle-class academics in a university setting.
Lurie graduated from Radcliffe College in 1947 and later taught English and then children’s literature at Cornell University. One of her best-known books, The War Between the Tates (1974; film 1977), concerns the manner in which the wife of a professor at mythical Corinth University deals with her husband’s infidelity. Foreign Affairs (1984; film 1993), winner of the 1985 Pulitzer Prize for fiction, describes the separate, unexpected sexual and romantic affairs of two academics from Corinth University during a sabbatical semester in England. Lurie’s other works, almost all set in academia, include Love and Friendship (1962), The Nowhere City (1965), Imaginary Friends (1967; television miniseries 1987), Real People (1969), Only Children (1979), and The Truth About Lorin Jones (1988). A collection of ghost stories, Women and Ghosts, was published in 1994. The Last Resort (1998) follows a naturalist writer and his wife on a trip to Key West, where they encounter human vanity and sexual desires. Truth and Consequences (2005), which follows two couples courting divorce, revisits Lurie’s invented Corinth University.
Lurie also wrote books for children, such as The Heavenly Zoo: Legends and Tales of the Stars (1979), Clever Gretchen and Other Forgotten Folktales (1980), and Fabulous Beasts (1981), as well as works about children’s literature. Her nonfiction works include Don’t Tell the Grown-Ups: Subversive Children’s Literature (1990). In addition, she coedited Classics of Children’s Literature (1976) and was editor of The Oxford Book of Modern Fairy Tales (1993).
