Quick Facts
Le Pautre also spelled:
Lepautre
Born:
Jan. 15, 1621, Paris, Fr.
Died:
1691, Paris (aged 69)
Subjects Of Study:
architecture

Antoine Le Pautre (born Jan. 15, 1621, Paris, Fr.—died 1691, Paris) was a French Baroque architect.

Born into a family of architects and decorators, Le Pautre was appointed architect to the king’s buildings in 1644. He then designed the Chapelle de Port-Royal (begun 1646), an austere building that suited Jansenist sobriety. He was commissioned in 1654 to design the Hôtel de Beauvais on the rue François Miron in Paris. This is considered his masterwork because of his ingenious treatment of the irregular building site, in which no side of the building is parallel to any other.

Le Pautre published Desseins de plusieurs palais (“Designs for Several Palaces”) in 1652, a volume of engravings that includes a famous project for an immense château. Among its features are semicircular concave bays connecting the end pavilions to the building’s centre. The bays are contrasted to the convex periphery of the “drum-without-dome” that crowns the structure. In 1659 Le Pautre was appointed controller of building works to the Duke d’Orléans, the king’s brother. In the 1660s and ’70s he designed several country mansions. Le Pautre spent his final years restoring the theatre and other rooms at the Palais Royal. His building style veered throughout his career between dramatic and imaginative Baroque designs influenced by Italian models and simpler, more restrained structures.

Close-up of a palette held by a man. Mixing paint, painting, color mixing.
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Baroque architecture, architectural style originating in late 16th-century Italy and lasting in some regions, notably Germany and colonial South America, until the 18th century. It had its origins in the Counter-Reformation, when the Catholic Church launched an overtly emotional and sensory appeal to the faithful through art and architecture. Complex architectural plan shapes, often based on the oval, and the dynamic opposition and interpenetration of spaces were favoured to heighten the feeling of motion and sensuality. Other characteristic qualities include grandeur, drama and contrast (especially in lighting), curvaceousness, and an often dizzying array of rich surface treatments, twisting elements, and gilded statuary. Architects unabashedly applied bright colours and illusory, vividly painted ceilings. Outstanding practitioners in Italy included Gian Lorenzo Bernini, Carlo Maderno, Francesco Borromini, and Guarino Guarini. Classical elements subdued Baroque architecture in France. In central Europe, the Baroque arrived late but flourished in the works of such architects as the Austrian Johann Bernhard Fischer von Erlach. Its impact in Britain can be seen in the works of Christopher Wren. The late Baroque style is often referred to as Rococo or, in Spain and Spanish America, as Churrigueresque.

The Editors of Encyclopaedia Britannica This article was most recently revised and updated by Adam Augustyn.
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