Emmerich Kálmán

Emmerich Kálmán (born Oct. 24, 1882, Siófok, Hung.—died Oct. 30, 1953, Paris, France) was a Hungarian composer, one of the leading exponents of the last era of Viennese operetta.

Kálmán was born to a lower middle-class Jewish family. He studied composition at the Academy of Music in Budapest under János Koessler; for a time his fellow students included Béla Bartók and Zoltán Kodály. He worked as a music critic for the Pesti Napló (“Pest Journal”) from 1904 to 1908 and as a lawyer’s assistant to supplement the cost of his studies. In 1907 he was awarded several prizes for music, which enabled him to pursue trips to Bayreuth, Munich, and Berlin.

Kálmán’s musical talent was obvious from his first orchestral works. Kálmán added variety and colour to the Viennese operetta form by incorporating Hungarian elements to his works. His musical inventions, brimming with joie de vivre, brought him international acclaim. (At the time, he was also writing licentious cabaret songs under a pseudonym.) His reputation as a composer of operettas was made by his first stage work, Tatárjárás (1908; The Gay Hussars). The strongly Hungarian tone of this piece succeeded in winning over Viennese audiences, and The Gay Hussars was performed throughout Europe and the United States.

A few years later, Kálmán moved to Vienna and began to compose German-language operettas for theatre companies there. His greatest success came from Csárdáskirálynõ (1915; “The Czardas Queen”); it was performed by almost every musical theatre in the world, often enjoying runs of thousands of performances. The productions of his works Bajadér (1921; “Bayadère”), Marica grófnõ (1924; “Countess Marica”), Cirkuszhercegnõ (1926; “Princess of the Circus”), and Montmartre-i ibolya (1930; “Montmartre Violet”) rescued several theatres from bankruptcy.

In 1936 the premiere of his operetta Josephine császárnõ (“Empress Josephine”) took place not in Vienna but in Zürich because of increasing political tension in Austria. With the Nazi occupation of Austria in 1938, Kálmán and his family fled to Paris and then, in 1940, to the United States. There he pursued a successful career as a conductor of his own works. In 1945 he returned to Europe, settling in Paris. He received the cross of the Legion of Honour from the French government. He was buried in Vienna.

His biography Emlékszel még... (Kálmán Imre élete) (“Do You Still Remember... [The Life of Kálmán Imre]”), written by his widow, Vera, was published in 1985. A biographical film, Az élet muzsikája (“The Music of Life”), was made in 1984.