John Bury

British set designer
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

Quick Facts
Born:
January 27, 1925, Aberystwyth, Cardiganshire [now Ceredigion], Wales
Died:
November 12, 2000, Burleigh, Gloucestershire, England (aged 75)

John Bury (born January 27, 1925, Aberystwyth, Cardiganshire [now Ceredigion], Wales—died November 12, 2000, Burleigh, Gloucestershire, England) was a British set designer whose bold, stylized sets—which often incorporated such materials as metal, glass, and brick and featured dramatic architectural structures—were a radical departure from the painted, decorative sets that had characterized traditional British theatre.

After serving in the British navy during World War II, Bury pursued a variety of jobs before joining the Theatre Workshop in London. Collaborating with the director Joan Littlewood, who founded and oversaw the company, Bury developed his transformative approach to set design during the 1950s and early ’60s. He became the head of design for the Royal Shakespeare Company in 1964, and he held the same position for the Royal National Theatre from 1973 to 1985; in both roles he worked closely with the director Peter Hall. Bury also created sets for the Royal Opera House and the Glyndebourne Festival Opera.

In 1981 he won Tony Awards for best set design and best lighting for the Broadway production of Peter Shaffer’s Amadeus. Bury was made an Officer of the Order of the British Empire (OBE) in 1979.

This article was most recently revised and updated by Encyclopaedia Britannica.