Quick Facts
Original name:
Marian Hooper
Byname:
Clover
Born:
September 13, 1843, Boston, Massachusetts, U.S.
Died:
December 6, 1885, Washington, D.C. (aged 42)
Notable Family Members:
spouse Henry Adams

Marian Adams (born September 13, 1843, Boston, Massachusetts, U.S.—died December 6, 1885, Washington, D.C.) was an American social arbiter who was widely acknowledged for her wit, as an accomplished photographer in the early 1880s, and as the wife of historian Henry Adams.

Marian Hooper—called Clover by family and friends—was the youngest child of Boston Brahmins. Her mother, Ellen Sturgis Hooper, a published poet and a friend of the author Margaret Fuller, died of tuberculosis when Clover was five years old. Her father, Robert Hooper, was a part-time oculist and independently wealthy; he never remarried and dedicated himself to the care and education of his three children. He and Clover were devoted to one another, keeping up an extensive correspondence.

After her 1872 marriage to Henry Adams, great-grandson and grandson of American presidents, Clover presided over a social salon in Boston’s Back Bay while Henry taught history at Harvard University. In 1877 the couple moved to Washington, D.C., so that Henry could begin work on his monumental histories of early America. Their home on H Street, across from Lafayette Park and the White House, became a centre for the intellectual, artistic, and political elite of the city. Their close circle of friends, known as the “Five of Hearts,” included John Hay, who later served as secretary of state for Presidents William McKinley and Theodore Roosevelt, and Clarence King, the first director of the U.S. Geological Survey.

Known for her quick wit, Clover was athletic, fluent in French, enjoyed reading the ancient classics in the original Greek, and was fascinated by the visual arts, especially painting. She was devoted to animals, and her preferred way to travel was on the back of her horse. The novelist Henry James memorably called her a “perfect Voltaire in petticoats.” Not having children, she and her husband lived, as he said, “very much together.” In the last years of her life, she also became a gifted photographer, taking portraits of her friends, including the historians George Bancroft and Francis Parkman, the architect H.H. Richardson, and the jurist Oliver Wendell Holmes, Jr. She also took pictures of Washington, D.C., and the rural scenery on Boston’s North Shore; her portraits of children and of her women friends are particularly notable.

After the death of her father in 1885, Clover’s life began to unravel, and she sank into a deep intractable depression. On December 6, 1885, she committed suicide by drinking potassium cyanide, a chemical she used to develop her photographs. In the months that followed, Henry Adams commissioned their friend the American sculptor Augustus Saint-Gaudens to create a memorial to her. The bronze seated figure that marks her grave in Rock Creek Cemetery in Washington, D.C.—a work of art sometimes called Grief—is widely acknowledged to be one of the sculptor’s masterpieces, and it drew a wide range of responses and visitors, including Mark Twain, Henry James, and Eleanor Roosevelt. Henry Adams, who does not mention his wife in his most famous work, The Education of Henry Adams, never remarried and was buried next to Clover in 1918.

Her letters to her father were published as The Letters of Mrs. Henry Adams, 1865–1883 in 1936. There are few extant images of her and no painted portraits. Many of the photographs she took can be seen at the Massachusetts Historical Society.

Natalie Dykstra
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Hollywood

district, Los Angeles, California, United States
Also known as: Tinseltown
Also called:
Tinseltown
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Hollywood, district within the city of Los Angeles, California, U.S., whose name is synonymous with the American film industry. Lying northwest of downtown Los Angeles, it is bounded by Hyperion Avenue and Riverside Drive (east), Beverly Boulevard (south), the foothills of the Santa Monica Mountains (north), and Beverly Hills (west). Since the early 1900s, when moviemaking pioneers found in southern California an ideal blend of mild climate, much sunshine, varied terrain, and a large labor market, the image of Hollywood as the fabricator of tinseled cinematic dreams has been etched worldwide.

The first house in Hollywood was an adobe building (1853) on a site near Los Angeles, then a small city in the new state of California. Hollywood was laid out as a real-estate subdivision in 1887 by Harvey Wilcox, a prohibitionist from Kansas who envisioned a community based on his sober religious principles. Real-estate magnate H.J. Whitley, known as the “Father of Hollywood,” subsequently transformed Hollywood into a wealthy and popular residential area. At the turn of the 20th century, Whitley was responsible for bringing telephone, electric, and gas lines into the new suburb. In 1910, because of an inadequate water supply, Hollywood residents voted to consolidate with Los Angeles.

In 1908 one of the first storytelling movies, The Count of Monte Cristo, was completed in Hollywood after its filming had begun in Chicago. In 1911 a site on Sunset Boulevard was turned into Hollywood’s first studio, and soon about 20 companies were producing films in the area. In 1913 Cecil B. DeMille, Jesse Lasky, Arthur Freed, and Samuel Goldwyn formed Jesse Lasky Feature Play Company (later Paramount Pictures). DeMille produced The Squaw Man in a barn one block from present-day Hollywood Boulevard and Vine Street, and more box-office successes soon followed.

Illustration of movie theater popcorn bucket, cinema ticket, clapboard, and film reel. (movies, hollywood, pop culture, 3D render)
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Hollywood had become the center of the American film industry by 1915 as more independent filmmakers relocated there from the East Coast. For more than three decades, from early silent films through the advent of “talkies,” figures such as D.W. Griffith, Goldwyn, Adolph Zukor, William Fox, Louis B. Mayer, Darryl F. Zanuck, and Harry Cohn served as overlords of the great film studios—Twentieth Century-Fox, Metro-Goldwyn-Mayer, Paramount Pictures, Columbia Pictures, Warner Brothers, and others. Among the writers who were fascinated by Hollywood in its “golden age” were F. Scott Fitzgerald, Aldous Huxley, Evelyn Waugh, and Nathanael West.

After World War II, film studios began to move outside Hollywood, and the practice of filming “on location” emptied many of the famous lots and sound stages or turned them over to television show producers. With the growth of the television industry, Hollywood began to change, and by the early 1960s it had become the home of much of American network television entertainment.

Among the features of Hollywood, aside from its working studios, are the Hollywood Bowl (1919; a natural amphitheater used since 1922 for summertime concerts under the stars), the Greek Theatre in Griffith Park (also a concert venue), Grauman’s Chinese Theatre (with footprints and handprints of many stars in its concrete forecourt), and the Hollywood Wax Museum (with numerous wax figures of celebrities). The Hollywood Walk of Fame pays tribute to many celebrities of the entertainment industry. The most visible symbol of the district is the Hollywood sign that overlooks the area. First built in 1923 (a new sign was erected in 1978), the sign originally said “Hollywoodland” (to advertise new homes being developed in the area), but the sign fell into disrepair, and the “land” section was removed in the 1940s when the sign was refurbished.

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Many stars, past and present, live in neighboring communities such as Beverly Hills and Bel Air, and the Hollywood Forever Cemetery contains the crypts of such performers as Rudolph Valentino, Douglas Fairbanks, and Tyrone Power. Hollywood Boulevard, long a chic thoroughfare, became rather tawdry with the demise of old studio Hollywood, but it underwent regeneration beginning in the late 20th century; the Egyptian Theatre (built in 1922), for example, was fully restored in the 1990s and became the home of the American Cinematheque, a nonprofit organization dedicated to the presentation of the motion picture.

The Editors of Encyclopaedia BritannicaThis article was most recently revised and updated by Encyclopaedia Britannica.
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