William Holden

American actor
Also known as: William Franklin Beedle, Jr.
Quick Facts
Original name:
William Franklin Beedle, Jr.
Born:
April 17, 1918, O’Fallon, Illinois, U.S.
Found dead:
November 16, 1981, Santa Monica, California
Awards And Honors:
Academy Award (1954)
Academy Award (1954): Actor in a Leading Role
Emmy Award (1974): Best Lead Actor in a Limited Series
Married To:
Brenda Marshall (1941–1971)
Movies/Tv Shows (Acted In):
"Alvarez Kelly" (1966)
"Those Were the Days!" (1940)
"Young and Willing" (1943)
"Streets of Laredo" (1949)
"Casino Royale" (1967)
"L'arbre de Noël" (1969)
"When Time Ran Out..." (1980)
"The Horse Soldiers" (1959)
"Our Town" (1940)
"The Towering Inferno" (1974)
"Stalag 17" (1953)
"The Key" (1958)
"The Dark Past" (1948)
"The World of Suzie Wong" (1960)
"Damien: Omen II" (1978)
"Picnic" (1956)
"I Wanted Wings" (1941)
"Network" (1976)
"The Counterfeit Traitor" (1962)
"The Proud and Profane" (1956)
"The Devil's Brigade" (1968)
"Union Station" (1950)
"The Earthling" (1980)
"Toward the Unknown" (1956)
"Miss Grant Takes Richmond" (1949)
"The Wild Bunch" (1969)
"The Remarkable Andrew" (1942)
"Satan Never Sleeps" (1962)
"Rachel and the Stranger" (1948)
"The Revengers" (1972)
"The Turning Point" (1952)
"The Man from Colorado" (1949)
"I Love Lucy" (1955)
"Sunset Blvd." (1950)
"Ashanti" (1979)
"Born Yesterday" (1950)
"Breezy" (1973)
"Texas" (1941)
"Dear Ruth" (1947)
"The Bridges at Toko-Ri" (1954)
"Lux Video Theatre" (1955)
"Apartment for Peggy" (1948)
"Arizona" (1940)
"Paris - When It Sizzles" (1964)
"Meet the Stewarts" (1942)
"Dear Wife" (1949)
"The Moon Is Blue" (1953)
"The Fleet's In" (1942)
"S.O.B." (1981)
"Boots Malone" (1952)
"Executive Suite" (1954)
"Golden Boy" (1939)
"Wild Rovers" (1971)
"The Bridge on the River Kwai" (1957)
"The Lion" (1962)
"Variety Girl" (1947)
"Forever Female" (1953)
"The 7th Dawn" (1964)
"The Country Girl" (1954)
"Blaze of Noon" (1947)
"Love Is a Many-Splendored Thing" (1955)
"Invisible Stripes" (1939)
"Escape from Fort Bravo" (1953)
"Father Is a Bachelor" (1950)
"Fedora" (1978)
"Force of Arms" (1951)
"Open Season" (1974)
"Submarine Command" (1951)
"Sabrina" (1954)

William Holden (born April 17, 1918, O’Fallon, Illinois, U.S.—found dead November 16, 1981, Santa Monica, California) was an American film star who perfected the role of the cynic who acts heroically in spite of his scorn or pessimism.

Beedle grew up in South Pasadena, California. While attending Pasadena Junior College, he acted in local radio plays and became involved with the Pasadena Playhouse. He was discovered by a Paramount Pictures talent scout and given the more glamorous surname “Holden.” Drawing on his muscular build and good looks, the studio assigned him the lead in the boxing melodrama Golden Boy (1939). The role was a challenge for the inexperienced young actor, who was tutored by costar Barbara Stanwyck in the basics of performing before a camera.

Columbia Pictures picked up half of his contract, and Holden alternated between the two studios, appearing in several forgettable movies before serving in the U.S. Army Air Forces during World War II. His service included acting in training films. After the war, he continued to perform in what he referred to as “smiling Jim” parts. In later years, Holden bitterly resented the studios’ exploitation of his physical appearance at the expense of his development as an actor.

Empty movie theater and blank screen (theatre, motion pictures, cinema).
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Director Billy Wilder rescued Holden’s career by hiring him for the lead in Sunset Boulevard (1950). As Joe Gillis, the jaded screenwriter so desperate for a job that he becomes the gigolo of a faded silent-film star, Holden found his niche and turned in an Academy Award-nominated performance as the cynical leading man. He went on to produce his strongest body of work during the 1950s. He costarred with Judy Holliday in George Cukor’s comedy Born Yesterday (1950). His performance as the cynical Sergeant J.J. Sefton in a German prisoner-of-war camp in Stalag 17 (1953) earned him the best actor Oscar. Holden costarred with Audrey Hepburn in Sabrina (1954) and with Bing Crosby and Grace Kelly in The Country Girl (1954), based on a play by Clifford Odets. He portrayed a heroic fighter-pilot in the Korean War drama The Bridges at Toko-Ri (1954) and a washed-up football player in Picnic (1955). Holden memorably played the escaped POW Shears in the classic The Bridge on the River Kwai (1957).

In later years Holden appeared in few films of quality. Disillusioned with Hollywood, he spent much of his time and money supporting conservation efforts in Africa. The roles that do stand out from his later career—those of Pike Bishop in Sam Peckinpah’s The Wild Bunch (1969), TV executive Max Schumacher in Network (1976; his last Oscar nomination), and hard-drinking film producer Tim Culley in Blake Edwards’s S.O.B. (1981; Holden’s final film)—captured a bit of Holden’s real-life bitterness and depression and added a tinge of melancholy to his screen image.

Holden’s death was especially unfortunate and probably quite unnecessary. Evidence suggests that after an evening of drinking, Holden slipped and fell, suffering a severe laceration to his forehead. He remained conscious for at least half an hour after the accident but did not realize the severity of his injury and did not make the phone call that would surely have saved his life. He subsequently passed out and bled to death; his body was discovered some four days later.

The Editors of Encyclopaedia BritannicaThis article was most recently revised and updated by Encyclopaedia Britannica.

Hollywood

district, Los Angeles, California, United States
Also known as: Tinseltown
Also called:
Tinseltown
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Hollywood, district within the city of Los Angeles, California, U.S., whose name is synonymous with the American film industry. Lying northwest of downtown Los Angeles, it is bounded by Hyperion Avenue and Riverside Drive (east), Beverly Boulevard (south), the foothills of the Santa Monica Mountains (north), and Beverly Hills (west). Since the early 1900s, when moviemaking pioneers found in southern California an ideal blend of mild climate, much sunshine, varied terrain, and a large labor market, the image of Hollywood as the fabricator of tinseled cinematic dreams has been etched worldwide.

The first house in Hollywood was an adobe building (1853) on a site near Los Angeles, then a small city in the new state of California. Hollywood was laid out as a real-estate subdivision in 1887 by Harvey Wilcox, a prohibitionist from Kansas who envisioned a community based on his sober religious principles. Real-estate magnate H.J. Whitley, known as the “Father of Hollywood,” subsequently transformed Hollywood into a wealthy and popular residential area. At the turn of the 20th century, Whitley was responsible for bringing telephone, electric, and gas lines into the new suburb. In 1910, because of an inadequate water supply, Hollywood residents voted to consolidate with Los Angeles.

In 1908 one of the first storytelling movies, The Count of Monte Cristo, was completed in Hollywood after its filming had begun in Chicago. In 1911 a site on Sunset Boulevard was turned into Hollywood’s first studio, and soon about 20 companies were producing films in the area. In 1913 Cecil B. DeMille, Jesse Lasky, Arthur Freed, and Samuel Goldwyn formed Jesse Lasky Feature Play Company (later Paramount Pictures). DeMille produced The Squaw Man in a barn one block from present-day Hollywood Boulevard and Vine Street, and more box-office successes soon followed.

Illustration of movie theater popcorn bucket, cinema ticket, clapboard, and film reel. (movies, hollywood, pop culture, 3D render)
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Hollywood had become the center of the American film industry by 1915 as more independent filmmakers relocated there from the East Coast. For more than three decades, from early silent films through the advent of “talkies,” figures such as D.W. Griffith, Goldwyn, Adolph Zukor, William Fox, Louis B. Mayer, Darryl F. Zanuck, and Harry Cohn served as overlords of the great film studios—Twentieth Century-Fox, Metro-Goldwyn-Mayer, Paramount Pictures, Columbia Pictures, Warner Brothers, and others. Among the writers who were fascinated by Hollywood in its “golden age” were F. Scott Fitzgerald, Aldous Huxley, Evelyn Waugh, and Nathanael West.

After World War II, film studios began to move outside Hollywood, and the practice of filming “on location” emptied many of the famous lots and sound stages or turned them over to television show producers. With the growth of the television industry, Hollywood began to change, and by the early 1960s it had become the home of much of American network television entertainment.

Among the features of Hollywood, aside from its working studios, are the Hollywood Bowl (1919; a natural amphitheater used since 1922 for summertime concerts under the stars), the Greek Theatre in Griffith Park (also a concert venue), Grauman’s Chinese Theatre (with footprints and handprints of many stars in its concrete forecourt), and the Hollywood Wax Museum (with numerous wax figures of celebrities). The Hollywood Walk of Fame pays tribute to many celebrities of the entertainment industry. The most visible symbol of the district is the Hollywood sign that overlooks the area. First built in 1923 (a new sign was erected in 1978), the sign originally said “Hollywoodland” (to advertise new homes being developed in the area), but the sign fell into disrepair, and the “land” section was removed in the 1940s when the sign was refurbished.

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Many stars, past and present, live in neighboring communities such as Beverly Hills and Bel Air, and the Hollywood Forever Cemetery contains the crypts of such performers as Rudolph Valentino, Douglas Fairbanks, and Tyrone Power. Hollywood Boulevard, long a chic thoroughfare, became rather tawdry with the demise of old studio Hollywood, but it underwent regeneration beginning in the late 20th century; the Egyptian Theatre (built in 1922), for example, was fully restored in the 1990s and became the home of the American Cinematheque, a nonprofit organization dedicated to the presentation of the motion picture.

The Editors of Encyclopaedia BritannicaThis article was most recently revised and updated by Encyclopaedia Britannica.