James Yood was Associate Professor of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. He also taught contemporary art theory and criticism at Northwestern University, where he was Lecturer and Assistant Chairperson in the department of Art Theory and Practice. Active as an art critic and essayist on contemporary art, he was a Chicago correspondent to Artforum, and he also wrote for Glass magazine, American Craft, and Art and Auction.
Educated at the University of Wisconsin and at the University of Chicago, he gave public lectures on issues in modern art at the Art Institute of Chicago, the Museum of Contemporary Art in Chicago, the Terra Museum of American Art, the St. Louis Art Museum, the Milwaukee Art Museum, the Madison Art Center, and at many other venues. He also served as a panelist for the National Endowment for the Arts.
Among his books are Spirited Visions: Portraits of Chicago Artists (1991), Feasting: A Celebration of Food in Art (1992), Gladys Nilsson (1995), Second Sight: Printmaking in Chicago (1935-95) (1996), and William Morris: Animal/Artifact (2001).
James W. Yood
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Associated with The School of the Art Institute of Chicago, part of Encyclopaedia Britannica's Publishing Partner Program.
Primary Contributions (27)
Keith Haring was an American graphic artist and designer who popularized some of the strategies and impulses of graffiti art. After a brief period studying at the Ivy School of Art in Pittsburgh, Haring moved to New York City in 1978 to attend the School of Visual Arts. With fellow artists Kenny…
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Publications (3)
In Monet's Garden: Artists and the Lure of Giverny (December 2007)
This sumptuously illustrated book examines the artistic legacy of Claude Monet and the lasting impact of his legendary gardens at Giverny, which continue to attract and inspire artists today. His American colleagues and the postwar artists who rediscovered the unique place first cultivated by Monet reveal a century-long lineage of artistic experimentation and creativity in the juxtaposition of Monet's paintings with interpretations of the gardens. His significance as a revolutionary modernist,...
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Mazorca: Objects Of Common Ceremony (2005)
"The first time I saw William Morris's idols I felt an electric thrill, not only because of the incredible artistic prowess each of them represents, but also because I recognized them. It was like finally finding myself before the intangible beings I had been looking for all my life, that I had glimpsed in dreams and evoked in my writing."--from the Foreword by Isabelle Allende For more than twenty years, William Morris has captivated and intrigued the art community with hauntingly evocative and...
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Feasting: A Celebration of Food in Art (1992)
From an elegant table laden with ripening fruit by Claude Monet to a colorful contemporary confection by Wayne Thiebaud, Feasting lavishly illustrates humanity's love affair with food. From the Baroque period to the present day, through many cultures, mediums, and styles, this volume traces artists' fascination with food and the fine art of dining.Truly a celebration of artistic and epicurean delights, this lavish visual feast features masterpieces from the outstanding collections of The Art...
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