cénacle, a literary coterie formed around various of the early leaders of the Romantic movement in France, replacing the salon as a place for writers to read and discuss their works. An early cénacle formed around the brothers Deschamps, literary editors of the short-lived but influential Muse Française. When the review ceased publication in 1824, the young contributors shifted to the salon of Charles Nodier, who was then librarian of the Bibliothèque de l’Arsenal, second of the great French libraries. The activities of that group—which included Alphonse de Lamartine, Alfred de Vigny, Alfred de Musset, and Victor Hugo—are described in the Mémoires of Alexandre Dumas père. Three years later, Hugo and the critic Charles Augustin Sainte-Beuve formed a cénacle at Hugo’s house in the rue Notre-Dame-des-Champs, where other young writers—including Prosper Mérimée, Théophile Gautier, and Gérard de Nerval—joined the group. The entourage of Gautier, Nerval, and Petrus Borel, the more-turbulent bohemian Romantics, became known as the Petit Cénacle. When Hugo’s poetic drama Hernani was performed in 1830, their clamour and applause supporting the play overwhelmed the scorn of the traditionalists who had come to disparage it, thus ending the battle of the Romantics—the so-called battle of Hernani—for the demise of the outmoded dramatic conventions of Classicism.