Yad Vashem Holocaust History Museum, museum in Jerusalem that commemorates the victims of the Holocaust. It was designed by architect Moshe Safdie and completed in 2005.
Safdie was involved with the Yad Vashem redevelopment for many years, having completed the Children’s Memorial in 1987 and the Memorial to the Deportees in 1995. The original Yad Vashem complex, which opened in 1957, had few significant architectural features. The new campus—incorporating an art museum, exhibition pavilion, and synagogue—is characterized by strong architectural elements and firmly establishes Yad Vashem as a spiritual and cultural center. The Holocaust History Museum is the culmination and core of the complex, situated on the slopes of the Mount of Remembrance (Mount Herzl) at the western edge of the city.
The brief for the design stipulated that it should combine the Holocaust’s narrative with an experiential journey and that the pastoral character of the natural landscape should be preserved. Safdie faced these challenges by conceiving a largely subterranean building. The raw concrete structure, designed to withstand the pressure of earth bearing down on it, cuts through the Mount of Remembrance like an angular spine that is 650 feet (198 meters) long. The triangular-shaped structure is exposed at the end nearest the entrance to the south, which cantilevers dramatically over the Ein Kerem valley floor. At the north exit, it explodes into a pair of symbolic wings that hover over the vibrant city of Jerusalem below.
Inside, the galleries are initially hidden on either side of the walkway. Separated by trenches containing artifacts and signifying different stages of the Shoah—the mass murder of Jews by Nazi Germany—the galleries gradually reveal themselves. Illuminated from above by skylights, they lead visitors through intimate, dimly lit exhibit spaces, allowing them to experience a juxtaposition of darkness and light. The exposition ends in the Hall of Names. The ceiling of the hall is a cone 33 feet (10 meters) high displaying photographs and testimony relating to all known victims of the Holocaust. Looking down through an opening in the floor, these are reflected in water at the base of an opposing cone sunk into the mountain bedrock below, commemorating those whose names remain unknown. The result is a perfect balance between building and message.