Clarissa, epistolary novel by Samuel Richardson, published in installments in 1747–48. Among the longest English novels ever written (more than a million words), the book has secured a place in literary history for its tremendous psychological insight. Written in the then fashionable epistolary form, its main body consists of the letters of Clarissa Harlowe and her seducer, Lovelace (though there are many more correspondents throughout the novel).
Clarissa, a young middle-class woman who expects to marry well, is gravely disappointed by her parents’ choice of suitor. The extremely wealthy, though ugly, Solmes is not Clarissa’s idea of a good match. Instead she is drawn to a man who is as dashing and fashionable as he is lacking in moral character. He casts himself as Clarissa’s rescuer from her intended and dreaded marriage by whisking her off to the apparent safety and anonymity of London.
With Clarissa now isolated from her family and friends in the city and effectively imprisoned, Lovelace is free to force his intentions upon her, despite her attempts to resist him. In Lovelace’s letters to his friend Belford, Richardson shows that what really drives his character to conquest and finally to rape is revenge for her family’s insults and his sense of Clarissa’s moral superiority. Neither recovers: Clarissa suffers temporary insanity, while Lovelace, sick with guilt, is killed in a duel.
The novel’s seeming narrative simplicity is not its strength; it is the sometimes devastating psychological insight that Richardson achieves that is its real forte. Samuel Johnson called Clarissa “the first book in the world for the knowledge it displays of the human heart.” The novel, while seemingly defensive of contemporary standards of comportment and morality, is also well known for its questioning of societal norms, with the title character often expressing her intent to guide her own destiny and make her own decisions. In this respect Clarissa is of a piece with Richardson’s 1740 novel Pamela, though the title character of the former is considered to be more fully developed than that of the latter. In any event, Clarissa proved a strong influence on Richardson’s rival Henry Fielding, who responded to it with his 1749 novel Tom Jones.
Clarissa was adapted as a BBC television series in 1991, starring Saskia Wickham in the title role and Sean Bean as Lovelace.