Theodor Däubler (born Aug. 17, 1876, Trieste, Austria-Hungary [now in Italy]—died June 14, 1934, Sankt Blasien, Ger.) was a German-language poet whose extraordinary vitality, poetic vision, and optimism contrast sharply with the despair expressed by many writers of his time.
Däubler was fluent in German and Italian and served in the Austro-Hungarian army. He studied and lived in Italy and traveled widely in Europe, the Middle East, and Egypt. He tapped many diverse sources of inspiration, and his poetry owes much to Classical as well as Romantic aesthetics, although he exercised his greatest influence through his early enthusiasm for Expressionist painting and sculpture, as voiced in his essays “Der neue Standpunkt” (1916; “The New Point of View”) and “Im Kampf um die moderne Kunst” (1918; “Joining the Battle for Modern Art”). His major work, Das Nordlicht (1910, much revised and republished in 1921; “The Northern Lights”), an epic of more than 30,000 lines, is an original cosmic myth. Däubler expresses his visionary ideas in sweeping, hyperbolic language that sometimes borders on the bizarre or grotesque. His other poetical works include Das Sternenkind (1916; “The Star Child”), Die Treppe zum Nordlicht (1920; “The Stairs to the North Light”), Der sternhelle Weg (1915; “The Star-Lit Road”) and Attische Sonette (1924; “Greek Sonnets”). He also published tales and two novels, L’Africana (1928; “The Africana”) and Die Göttin mit der Fackel (1931; “The Goddess with the Torch”).