Bob Geldof (born October 5, 1951, Dún Laoghaire, Ireland) is an Irish rock musician and philanthropic activist who is a member of The Boomtown Rats rock group. He founded the charitable supergroup Band Aid in 1984 and organized the Live Aid concert in 1985 for the relief of famine in Ethiopia.
Geldof was born the grandson of Belgian immigrants in Dún Laoghaire, a town outside Dublin. He struggled to meet expectations in school and later claimed that he even drafted falsified reports on his performance to show his parents. Geldof attended Blackrock College in Dublin and worked several jobs before finding his way to the music scene, landing a job in Canada as a journalist with The Georgia Straight, an underground rock publication.
After returning to Ireland in 1975, Geldof formed The Boomtown Rats, adopting the name from a gang in a Woody Guthrie novel. The band’s debut album, The Boomtown Rats, was released in the United Kingdom in 1977. Their second album, A Tonic for the Troops, was released the following year in the U.K. (1979 in the U.S.) and features the successful “Like Clockwork.” The Fine Art of Surfacing (1979) includes the international hit “I Don’t Like Mondays,” in which upbeat melodies juxtapose a sombre lyrical inspiration: a shooting at Cleveland Elementary School in San Diego in 1979. The band’s other albums include Mondo Bongo (1981), V Deep (1982), and In the Long Grass (1985). Geldof launched a solo career following the dissolution of the band in 1986 and released Deep in the Heart of Nowhere the same year. The Vegetarians of Love (1990), The Happy Club (1993), and How to Compose Popular Songs That Will Sell (2011) are his other solo albums.
Feeling compelled to act after watching a 1984 BBC documentary centering on famine in Ethiopia, Geldof wrote the track “Do They Know It’s Christmas?” with his writing partner Midge Ure, front man of the band Ultravox. Geldof then recruited some of the biggest names in the British pop scene—Simon Le Bon of Duran Duran, George Michael, Sting, Bono, Phil Collins, Boy George, and others—to contribute to the recording, which was marketed under the name Band Aid. It was the number-one Christmas hit that year and the best-selling British pop single for nearly 15 years. Over three million copies have been sold, with £0.96 (just over $1 in 2023) from each being donated to charity and all royalties going to the Band Aid Charitable Trust.
This success inspired similar all-star benefit projects, notably Quincy Jones’s United Support for Artists (USA) for Africa, which spawned the 1985 Lionel Richie and Michael Jackson composition “We Are the World.” Geldof, encouraged by the support generated from Band Aid and USA for Africa, organized a fundraising event described as a “global jukebox”: Live Aid, a marathon 16-hour live music event. Two charity concerts took place on July 13, 1985, at Wembley Stadium in London and JFK Stadium in Philadelphia, featuring 60 performing acts, including Queen, Led Zeppelin, and Madonna. The artists played for free, generating more than $100 million, and garnered some 1.5 billion viewers over satellite broadcast and 170,000 live audience members between the two venues.
Geldof received an honorary knighthood in 1986, and his autobiography Is That It?, written with Paul Vallely and released that year, became a U.K. bestseller. He would go on to receive three Nobel Peace Prize nominations and the 2005 Man of Peace award. On the 20th anniversary of Live Aid, he collaborated with Ure once more to organize the Live 8 benefit concerts.
The Boomtown Rats re-formed in 2013 and released Citizens of Boomtown in 2020, their first album in 35 years. An EP titled Out the Back of Boomtown followed in 2021.