Flag (1954–55), encaustic, oil, and collage painting on wood panel that was created in 1954–55 by American artist Jasper Johns. It was the first of many renderings of the flag of the United States by Johns and is one of his best-known works.
Along with his friend and fellow artist Robert Rauschenberg, Johns set about dismantling, if not deflating, the bombastic rhetoric of Abstract Expressionism. While Rauschenberg flooded his canvases with a sprawling heterogeneity of imagery, Johns favoured a more cerebral, measured approach and initially focused on a single motif, be it a flag, a target, or a map. Although the generative basis of this painting entailed a direct transcription of the flag onto plywood, several subtle but highly important changes were made to what was now a representation of a flag. Perhaps the most significant change was his use of encaustic, a fast-drying, wax-based medium capable of creating a thick, impasto-like surface. He painted the encaustic onto strips of newspaper that were adhered onto three canvases and then mounted on plywood.
Johns’s use of such a medium and choice of an easily recognized subject invites the viewer to examine an object that is ordinarily passed over because of its familiarity and at the same time betrays neither emotion nor obvious intent. Flag, as both a riposte to and critique of the legacy of Abstract Expressionism, successfully managed to negotiate a number of artistic precedents without pledging allegiance to any particular sensibility or school.