eidetic reduction, in phenomenology, a method by which the philosopher moves from the consciousness of individual and concrete objects to the transempirical realm of pure essences and thus achieves an intuition of the eidos (Greek: “shape”) of a thing—i.e., of what it is in its invariable and essential structure, apart from all that is contingent or accidental to it. The eidos is thus the principle or necessary structure of the thing. Being a science of essences, phenomenology finds this reduction important for its methodology.
Because the eidetic reduction uses the method of free variation, it is not dependent on either mental constructs or concrete factual objects, although it takes its starting point in the knowledge of facts. Beginning with a concrete object, the philosopher can imaginatively vary its different aspects. The limitations of the fanciful variation are the effectively given—i.e., that which is given immediately and indubitably—and the eidos itself. The series of variations overlap, and the aspect in which they overlap is the essence. By thus moving from evidence in the perceptual sphere to evidence in the imaginative sphere, he can arrive at the invariable and essential structure of the object.
Thus, the eidetic reduction is neither a form of induction nor an abstraction. In accordance with the phenomenological reduction, it abstains from any sort of positing of the actual existence of its objects, and it brackets, or holds in suspense, the concrete and factual content. On the other hand, it is not an empirical generalization that takes place at the level of man’s natural attitude.