My Left Foot, memoir written by Irish author Christy Brown (June 5, 1932–September 7, 1981), published in 1954.
Begun when he was 18 and published when Brown was 22 years old, My Left Foot is the story of an extraordinary person. Brown was an imaginative, sensitive soul trapped in a body twisted and crippled by cerebral palsy. Barely able to talk, at the age of five he picked up a piece of chalk with his left foot, the only part of his body with any flexibility, and thus began to communicate. And communicate he did: over his lifetime he produced hundreds of paintings, four novels, four books of poetry, and this classic memoir.
Brown has a gift of storytelling, and he writes simply and lyrically about his life. At times, when he tells of his feelings of loneliness, entrapment and suffocation, it is heartbreakingly painful. But through painting and writing—with his left foot—he is able to express his pent-up feelings and experience moments of transcendence. One of the most moving scenes is of a candlelight procession at Lourdes, which Brown describes as “the most beautiful moment of my life.”
The book is not without humour, however. Particularly funny are the author’s descriptions of his 12 siblings, who take him on adventures through working-class Dublin in a battered little go-cart named Henry.
Throughout My Left Foot, Brown acknowledges the friends and guides who have helped him along the way: social worker Katriona Delahunt, doctor and writer Robert Collis, teacher Mr. Guthrie, and especially his mother, who from the time he was born vehemently refused to let him be placed in an institution, as medical administrators urged her to do on the grounds that Brown was a “mental defective.” With his sharp sense of irony, indeed, Brown originally titled his book The Reminiscences of a Mental Defective.
Near the end of his short life, Brown expressed regret that he was best known for what he called his “miracle story” rather than for his more serious books. Yet My Left Foot, without lapsing into sentimentality, helps us to empathize with severely disabled people and see them as complete human beings. Jim Sheridan adapted the text into a 1989 film starring Daniel Day-Lewis and Brenda Fricker, both of whom received Academy Awards for their performances.