Vasa, 17th-century Swedish vessel, the mightiest warship of its day, that sank on its maiden voyage on August 10, 1628, with about 30 of 150 persons aboard drowning.
While the Thirty Years’ War was raging in Europe, King Gustavus Adolphus of Sweden realized he needed a stronger naval presence if he were to retain his dominance in the Baltic. He ordered five heavy-duty warships to be built. The 226-foot-long Vasa, with two gun decks, 64 bronze cannons, and a 450-man crew, was to be a mighty vessel; each broadside was capable of hurling some 250 kg (550 pounds) of shot, which was twice as much as the most powerful European ships of her day. But the project became fraught with problems: the king was pressing for quick delivery, yet he kept interfering with the plans, demanding constant modifications; a shortage of money mid-project led to more delays; and to cap it all the head shipwright died suddenly.
After many delays, the Vasa was ready for her maiden voyage on a calm day with a light breeze. After sailing only 1,130 meters (3,700 feet) the sail suddenly billowed, and the Vasa heeled violently to port. The ship righted itself, but at the next gust the ship leaned even further, and water poured into the open gun ports, and Vasa toppled sideways and quickly sank only 120 meters (393 feet) from land in full view of a crowd of thousands.
Gustavus Adolphus was incandescent with rage. The ship’s captain, Söfring Hansson, was immediately arrested, while the shipbuilders and the crew blamed each other. It soon became clear that it was the actual construction at fault. There was nobody to blame: the original contractor was dead, and the king himself had personally overseen every measurement. Modern analyses by naval architects and engineers have determined that the ship’s very design caused the disaster. After the ship was raised from the floor of the channel on April 24, 1961, calculations proved that the Vasa was so unstable it would have keeled over even in a light breeze of four knots. It was top-heavy to accommodate an untenable concentration of heavy cannons on two gun decks, weighed down further by the massive sculptures on the prow with which warships of the period were customarily decorated. The ship was simply too high above the water relative to the relatively small keel size below. Even so, the ship might have survived had not Hansson kept the gun ports open, and this became a key point in the prosecution against him.
The Vasa is now on display at the Vasamuseet (Vasa Museum) on Djurgarden island in central Stockholm, alongside museums devoted to Viking culture and the Swedish pop group ABBA. It is one of the country’s foremost tourist attractions.