Norman Foster
Norman Foster (born June 1, 1935, Manchester, England) is a British architect known for his sleek modern buildings made of steel and glass.
Foster was trained at the University of Manchester (1956–61) in England and Yale University (1961–62) in New Haven, Connecticut. Beginning in 1963 he worked in partnership with Richard and Su Rogers and his wife, Wendy Foster, in a firm called Team 4. In 1967 he established his own firm called Foster Associates (later Foster + Partners). Foster’s earliest works explored the idea of a technologically advanced “shed,” meaning a structure surrounded by a lightweight shell or envelope.
Foster’s first buildings to receive international acclaim were the Sainsbury Centre for the Visual Arts (1978) in Norwich, England, a vast airy glass-and-metal-paneled shed, and the Hong Kong and Shanghai Banking Corporation headquarters (1986) in Hong Kong, a futuristic steel-and-glass office building with a stepped profile. In these commissions, he established himself as one of the world’s leaders in high-tech design: for the latter building, for example, he had ingeniously moved elements such as elevators to the exterior of the building, where they could be easily serviced, and thus created open plans in the centre of the spaces. Balancing out this high-tech character, many of Foster’s buildings, including his Hong Kong office and the Commerzbank Tower (1997) in Frankfurt am Main, Germany, utilized green spaces, or mini-atria, that were designed to allow a maximum amount of natural light into the offices. In this way, Foster created a more fluid relationship between inside and outside spaces and strove to impart a sense of humanity into an otherwise futuristic office environment.
Foster, a veteran of the Royal Air Force (1953–55) and an avid pilot, also applied his preference for open plans and natural lighting to airports, such as Stansted (1991) outside London and Chek Lap Kok (1998) in Hong Kong, and to the expressively simple American Air Museum (1997) at Duxford (England) airfield. At the turn of the 21st century Foster extended his ideas to world landmarks. He rebuilt the Reichstag (1999) in Berlin after the reunification of Germany, adding a new steel-and-glass dome that surrounds a spiral observation platform, and he encased the court of the British Museum (2000) in London under a steel-and-glass roof, creating an enclosed urban square within this famous museum building.
Foster’s noteworthy buildings of the 21st century included the headquarters for Swiss Re (later 30 St Mary Axe and nicknamed “the Gherkin”; 2004), the courtyard enclosure for the Smithsonian Institution’s Patent Office Building (2007) in Washington, D.C., Terminal 3 of the Beijing Capital International Airport (2008), and London’s City Hall (2002). His later work included the Art of the Americas Wing at the Museum of Fine Arts (2010), Boston; the Queen Alia International Airport (2012), Amman, Jordan; Ciudad Casa de Gobierno (2015), the new city hall for Buenos Aires; the master plan for the Norton Museum of Art (2019), West Palm Beach, Florida; and the Datong Art Museum (2021), China. He also designed Apple Park (2018), the headquarters of Apple, Inc., in Cupertino, California, as well as a number of the company’s high-profile retail locations, including Michigan Avenue (2017), Chicago; the Champs-Élysées (2018), Paris; and Marina Bay Sands (2020), Singapore. For the 2022 World Cup in Qatar, Foster developed the concept for the Lusail Stadium, the event’s centrepiece.
The recipient of numerous awards for his work—including the Pritzker Prize (1999), the Japan Art Association’s Praemium Imperiale prize for architecture (2002), and the Aga Khan Award (2007) for his design of the Petronas University of Technology in Malaysia—Foster was knighted in 1990 and was granted a life peerage in 1999.