Luncheon of the Boating Party, oil painting created in 1880–81 by French artist Pierre-Auguste Renoir. Exhibited at the Paris Salon of 1882, it was immediately hailed as one of the best the artist had painted, and its reputation has not diminished since then.
In the background of this painting is one of the many railway bridges that had recently been built by the French government and that were considered a symbol of modernity. These new lines allowed people such as those depicted here by Renoir to leave Paris and enjoy the countryside. Set on a balcony overlooking the Seine River in Chatou, France, a group of Renoir’s friends stand and sit in a complex composition, framed under a wide awning. The figures represent the diverse Parisian social structure, ranging from wealthy, well-dressed bourgeoisie to a young seamstress, Aline Charigot, in the foreground on the left, whom Renoir would marry in 1890.
In Luncheon of the Boating Party, Renoir appears to create a typically Impressionistic scene, capturing a moment when his friends join him by the river on a sunny afternoon. In reality, Renoir—one of the founding members of the Impressionist movement—executed the portraits of each figure either separately or in smaller groups in his studio. In doing so, he was beginning to move away from his contemporaries. Indeed, shortly after finishing this painting, Renoir began to use more traditional methods of painting.
The way in which Luncheon of the Boating Party is painted remains Impressionistic, however. Working in bright and warm colours, Renoir captures the effects of the light diffused by the awning. He suggests movement in his figures through loose brushwork, while using a thicker handling of paint for the still-life on the table.