Gaelic Revival
Gaelic Revival, resurgence of interest in Irish language, literature, history, and folklore that was inspired by the growing Irish nationalism of the early 19th century. By that time Irish had died out as a spoken tongue except in isolated rural areas, and English had become the official and literary language of Ireland.
The discovery by philologists of how to read Old Irish (written prior to 900 ce) and the subsequent translations of ancient Irish manuscripts (e.g., The Annals of the Four Masters) made possible the reading of Ireland’s earliest literature. Heroic tales such as those of the Ulster and Fenian cycles caught the imagination of the educated classes. Anglo-Irish poets experimented with verse that was structured according to patterns and rhythms of the Irish language and that echoed the passion and rich imagery of ancient bardic verse.
In 1842 the patriotic organization Young Ireland founded The Nation, a paper that published the works of Thomas Osborne Davis, a master of prose and verse, and of such poets as Thomas D’Arcy McGee, Richard D’Alton Williams, and Speranza (the pseudonym of Lady Wilde, mother of poet, novelist, and dramatist Oscar Wilde). The paper helped to stir pride in Irish literary achievements. Dublin University Magazine (1833–80), another important literary publication, often included the work of James Clarence Mangan, who translated Irish poems into English and wrote original verse in the bardic style. Jeremiah John Callanan was the first to use traditional Irish metrical forms—in particular, refrain—in English verse. Sir Samuel Ferguson wrote epiclike poetry, recalling Ireland’s heroic past. Thomas Moore, Charles Maturin, and Maria Edgeworth also incorporated themes from earlier Irish works into their writings.
The Gaelic Revival was not a widespread, vigorous movement because political nationalism and the need for land reform overshadowed cultural nationalism. The revival did, however, lay the scholarly and nationalistic groundwork for the Irish literary renaissance, the great flowering of Irish literary talent at the end of the 19th and beginning of the 20th century.