Hunters in the Snow (Winter), oil painting on wood panel that was created in 1565 by Flemish artist Pieter Bruegel the Elder. It is perhaps the best known of his paintings and is marvelous in its proliferation of details.
Bruegel did much to establish the tradition of landscape painting in the Low Countries. This splendid winter scene, painted when the artist was at the peak of his powers, is his finest achievement in the field. In Northern Europe, landscape painting did not emerge as a separate genre, but rather as an offshoot of the calendar scenes that appeared in books of hours. This painting, for example, was originally part of a series, Labours of the Months, commissioned by Niclaes Jonghelinck, a wealthy banker from Antwerp. It represents the months of December and January. This can be deduced from the scene on the left, in which a group of villagers are singeing a pig, in order to remove its bristles.
In purely compositional terms, Hunters in the Snow (Winter) also seems to have the ideal structure for the initial item in a frieze of pictures. The trees on the left act as a framing device, while the huntsmen and their dogs lead the eye to the right, toward the remainder of the series. Public attitudes about landscape painting were very different at this time. While Bruegel paid great attention to minute details—the depiction of the tiny figures skating, tobogganing, and curling on the ice are a particular joy—he was not expected to produce an accurate view of a specific place. Instead, this is a composite scene. The mountains in the distance were based on sketches that Bruegel made from 1552 to 1553, when he traveled through the Alps on his way to Italy, while the rest of the panorama was inspired by the flat terrain of his native Belgium.