Ruth Prawer Jhabvala (born May 7, 1927, Cologne, Germany—died April 3, 2013, New York, New York, U.S.) was a novelist and screenwriter, well known for her witty and insightful portrayals of contemporary Indian lives and, especially, for her 46 years as a pivotal member of Ismail Merchant and James Ivory’s filmmaking team.
Jhabvala’s family was Jewish, and in 1939 they emigrated from Germany to England; she was made a naturalized British citizen in 1948. After receiving an M.A. in English (1951) from Queen Mary College, London, she married an Indian architect and moved to India, where she lived for the next 24 years. After 1975 she lived in New York City, becoming a U.S. citizen in 1986.
Jhabvala’s first two novels, To Whom She Will (1955; also published as Amrita) and The Nature of Passion (1956), won much critical acclaim for their comic depiction of Indian society and manners. She was often compared to Jane Austen for her microscopic studies of a tightly conventional world. Her position as both insider and detached observer allowed her a unique, sometimes satirical perspective when describing Indian family life, India’s struggle to adapt to a new social mobility, and the clash between Eastern and Western ideals. Her novel Heat and Dust (1975) won the Booker Prize and was made into a film in 1982. It tells parallel stories of colonial and contemporary India. Her first departure from Indian subject matter occurred in In Search of Love and Beauty (1983), which portrays Austrian and German refugees searching for spiritual truths in New York. Poet and Dancer (1993) is the story of a destructive friendship between two women living in New York City.
In the early 1960s producer Merchant and director Ivory approached Jhabvala about adapting her novel The Householder (1960) for the big screen. She went on to write scripts for more than 20 Merchant-Ivory movies—most notably, adaptations of E.M. Forster’s A Room with a View (1985) and Howards End (1992), each of which was honoured with an Academy Award for best adapted screenplay, and Kazuo Ishiguro’s The Remains of the Day (1993), which earned Jhabvala her third Oscar nomination. Her other scripts for Merchant and Ivory included Shakespeare Wallah (1965), Heat and Dust (1983), Mr. & Mrs. Bridge (1990), Jefferson in Paris (1995), and adaptations of Henry James’s The Europeans (1979), The Bostonians (1984), and The Golden Bowl (2000).