Atmosphères, orchestral composition known for its dense texture and stasis by avant-garde Hungarian-born composer György Ligeti. It was commissioned by Southwest German Radio and premiered at the Festival of Contemporary Music in Donaueschingen, West Germany, on October 22, 1961. But the piece reached its widest audience in 1968, when American filmmaker Stanley Kubrick used it in the sound track of 2001: A Space Odyssey. Although Kubrick had not obtained permission to use Atmosphères (or the other three Ligeti pieces that he used in that film), he did mention Ligeti in the credits, and both the filmmaker and the composer benefited from the pairing. Kubrick got the otherworldly, gravity-free aural effect he wanted, and Ligeti gained another hearing and a new audience for his work. (Kubrick also used Ligeti compositions—with permission—in The Shining [1980] and Eyes Wide Shut [1999].)
Of Atmosphères Ligeti noted that “the sonorous texture is so dense that the individual interwoven instrumental voices are absorbed into the general texture and completely lose their individuality.” Ligeti privileged combinations of sound over traditional structural rules and the expansion and development of themes. In this work, subtle shifts of tone colour are the continuing focus, producing an ever-varying tapestry of sound. The score assigns each individual string player a distinct part rather than one that duplicates other strings, and the result is haunting and vaguely dissonant. Sustained chords build tension through the gradual alteration of pitch. As Ligeti described it, “Tone colour, usually a vehicle of musical form, is liberated from form to become an independent entity.”