Belvedere Museum, art museum based in Vienna. It comprises two palaces, the Lower and Upper Belvedere, on the grounds of a building and garden complex that was the onetime summer residence of Eugene of Savoy, and a third site, the Belvedere 21, located a short distance away. The Lower Belvedere and the neighbouring Orangery host temporary exhibitions, while the former stables display art from the Middle Ages. The Upper Belvedere houses the museum’s permanent collection, which includes works by Gustav Klimt—notably The Kiss (1909)—Egon Schiele, Oskar Kokoschka, Helene Funke, Claude Monet, Elena Luksch-Makowsky, Vincent van Gogh, and Auguste Rodin. The Belvedere 21 is located in a building designed by Karl Schwanzer near the complex. It exhibits contemporary art.
(Read Sister Wendy’s Britannica essay on art appreciation.)
The buildings that now house the Upper and Lower Belvedere were constructed in the early 18th century by Austrian architect Johann Lucas von Hildebrandt. After Prince Eugene’s death in 1736, Maria Theresa acquired the entire property and later decided to show the imperial collection in the Upper Belvedere. The space opened to the public in 1781, becoming one of the world’s first public art museums. The imperial collection, however, was moved to the newly built Kunsthistorisches Museum in 1888, and the Upper Belvedere closed. In 1903 the Lower Belvedere opened as the Modern Gallery (Modernen Galerie), and in 1912 it was renamed the Austrian State Gallery (Österreichische Staatsgalerie). It showed Austrian art from the Middle Ages to the 20th century. In 1918 the Upper Belvedere was reopened as part of the gallery. Both palaces were reconstructed after suffering severe damage during World War II and resumed operations as the Austrian Gallery (Österreichische Galerie). In 2002 the Belvedere Museum secured the Schwanzer building, which had been the home of 20er Haus, a museum of the 20th century, since 1962. After renovations, the building reopened as 21er Haus, a contemporary art museum. In 2018 the buildings were rebranded the Upper Belvedere, Lower Belvedere, and Belvedere 21.
(Read Glenn Lowry’s Britannica essay on "Art Museums & Their Digital Future.")