preciosity, style of thought and expression exhibiting delicacy of taste and sentiment, prevalent in the 17th-century French salons. Initially a reaction against the coarse behaviour and speech of the aristocracy, this spirit of refinement and bon ton was first instituted by the Marquise de Rambouillet in her salon and gradually extended into literature. The wit and elegance of the honnête homme (“cultivated man”) became a social ideal, which was expressed in the vivid, polished style of Vincent Voiture’s poems and letters and in the eloquent prose works of Jean-Louis Guez de Balzac. This ideal revived the medieval tradition of courtly love, as expressed in the novels of Honoré d’Urfé. The success of his L’Astrée (1607–27; “The Astrea”), a vast pastoral set in the 5th century, was attributable as much to its charming analysis of the phases of love (i.e., chivalrous, mystical) and the corresponding adventures and complications as to its portraits of members of contemporary society.
While the conceits and circumlocutions of the précieux, or “precious,” writers were greatly admired by many, others mocked them for their pedantry and affectation; Molière ridiculed them in his comedy Les Précieuses ridicules (1659). Preciosity in France was eventually carried to excess and led to exaggeration and affectation (particularly by the burlesque writers), as it did in other countries—as seen, for example, in the movements Gongorism in Spain, Marinism in Italy, and Euphuism in England.