Theda Bara
Theda Bara (born July 20, 1885?, Cincinnati, Ohio, U.S.—died April 7, 1955, Los Angeles, Calif.) was an American silent-film star who was the first screen vamp who lured men to destruction. Her films set the vogue for sophisticated sexual themes in motion pictures and made her an international symbol of daring new freedom.
(Read Lillian Gish’s 1929 Britannica essay on silent film.)
Theodosia Goodman attended the University of Cincinnati in 1903–05. In New York City she tried briefly for a stage career under the name Theodosia de Coppet before she began her movie career in 1915 with William Fox, who built his motion-picture empire on her films. A Fool There Was (1915), her first important picture, was released with an intense publicity campaign that made her an overnight success. She was billed as the daughter of an Eastern potentate, her name an anagram for “Arab Death.”
Theda Bara made more than 40 motion pictures within three years, mostly costume spectacles in which she played an irresistible, heartless woman who lived only for sensual pleasure. Among these films were Romeo and Juliet (1916), Under Two Flags (1916), Camille (1917), Madame Du Barry (1917), Cleopatra (1917), Salome (1918), and Kathleen Mavourneen (1919). By the end of World War I, her popularity had declined. After an unsuccessful appearance on Broadway and an attempted Hollywood comeback, she retired from the screen in the late 1920s.