Charles Simic (born May 9, 1938, Belgrade, Yugoslavia [now in Serbia]—died January 9, 2023, Dover, New Hampshire, U.S.) was a Yugoslavian-born American poet who evoked his eastern European heritage and his childhood experiences during World War II to comment on the dearth of spirituality in contemporary life.
At age 15 Simic moved with his mother to Paris, where he attended French schools and studied English at night school. After a year they immigrated to the United States and were reunited with Simic’s father. Simic attended college at night while working as a clerk at a newspaper office in Chicago. He later moved to New York City, and, after graduating from New York University, he translated the works of Yugoslav poets into English. From 1973 he taught English, creative writing, and criticism at the University of New Hampshire. Simic served as poet laureate consultant in poetry to the Library of Congress (2007–08).
Simic’s first volume of poetry, What the Grass Says (1967), was well received; critics noted that his imagery drew on rural and European subjects rather than those of his adopted country. Among Simic’s many subsequent poetry collections are Somewhere Among Us a Stone Is Taking Notes (1969), Dismantling the Silence (1971), School for Dark Thoughts (1978), Unending Blues (1986), The Book of Gods and Devils (1990), Hotel Insomnia (1993), A Wedding in Hell (1994), Walking the Black Cat (1995), Jackstraws (1999), and The Voice at 3:00 a.m.: Selected Late & New Poems (2003). In 2005 he published Aunt Lettuce, I Want to Peek Under Your Skirt, a collection of erotic poetry, as well as My Noiseless Entourage, a wide-ranging volume of poems on subjects from God to war and poverty. Scribbled in the Dark was published in 2017. Simic received a Pulitzer Prize for poetry for The World Doesn’t End (1989). His other honours include the Wallace Stevens Award (2007) and the Frost Medal (2011).
Simic also published a number of works in prose. Dime-Store Alchemy (1992) is a collection of miscellaneous prose pieces written as a tribute to the artist Joseph Cornell. Another collection, The Unemployed Fortune Teller (1994), consists of 18 prose pieces. A Fly in the Soup (2000) is a memoir.