Totò (born Nov. 7, 1898, Naples, Italy—died April 15, 1967, Rome) was an Italian comic, most popular for his film characterization of an unsmiling but sympathetic bourgeois figure, likened by international film critics to the American film comic Buster Keaton.
Totò was born to a family of impoverished Italian nobility. He served in the military during World War I and then began his stage career by working in music halls. He appeared extensively on the legitimate stage prior to his 1936 film debut in Fermo con le mani (“Keep Your Hand Still”). From that time on, the screen was his medium, and, as Totò, he became one of Italy’s favourite comics.
Most of his 100 films were made in Italy and include 29 in the “Totò” series, such as Totòtarzan (1950) and Totò e Cleopatra (1963). Other films include Guardie e ladri (1951; Cops and Robbers), L’oro di Napoli (1954; Gold of Naples, a four-part comedy drama directed by Vittorio De Sica), La Loi c’est la loi (1958; The Law is the Law, with the French comic Fernandel), La Mandragola (1965; The Love Root and the Mandragola), and the allegorical Uccellacci e uccellini (1966; “Big Birds and Small Birds”; Eng. trans. The Hawks and the Sparrows), a film written and directed by Pier Paolo Pasolini.