Lana Turner
Lana Turner (born February 8, 1921, Wallace, Idaho, U.S.—died June 29, 1995, Los Angeles, California) was an American film actress known for her glamorous looks and sexual allure. Though her skill as an actress was limited, Turner excelled in roles that highlighted her sexuality and working-class roots. She enjoyed her greatest popularity in the 1940s and ’50s, often playing the part of a “good girl gone bad.”
In her 1982 autobiography, Turner expressed exasperation that her year of birth “was never printed accurately”—“Why they always got it wrong by one year,” she wrote, “I’ll never understand”—and stated that her birth certificate read February 8, 1921. She endured a difficult childhood. After the family moved from Idaho to San Francisco, her parents separated and she was placed in a foster home (where she was abused). Soon thereafter her father was murdered. Turner was reunited with her mother, and in 1936 they moved to Los Angeles, where, as legend has it, the golden-haired starlet was “discovered” at a drugstore soda fountain by a Hollywood film journalist. That led to a small part in Warner Brothers’ They Won’t Forget (1937), directed by Mervyn LeRoy, who suggested she drop her nickname, Judy, for something more glamorous; she chose Lana. LeRoy took her with him when he moved to Metro-Goldwyn-Mayer (MGM) in 1938, and she remained under contract there until 1956.
Turner’s early film roles were undistinguished, but the tight sweater she had worn in They Won’t Forget prompted studio publicists to promote her as the “Sweater Girl,” and the sexy photographs she posed for were in great demand. American servicemen later made her one of their favorite pinups during World War II.
Encouraged by this interest, MGM costarred her as a showgirl in the glamorous Ziegfeld Girl (1941). She then starred in several romantic dramas opposite some of the studio’s biggest male leads, including Clark Gable in Honky Tonk (1941) and Somewhere I’ll Find You (1942) and Robert Taylor in Johnny Eager (1942). Her most memorable role, however, was that of a murderous adulteress in the film noir classic The Postman Always Rings Twice (1946). Her later box office hits included Vincente Minnelli’s The Bad and the Beautiful (1952); Mark Robson’s Peyton Place (1957), for which she received an Academy Award nomination; Douglas Sirk’s Imitation of Life (1959); and Madame X (1966). Thereafter she occasionally appeared in minor film melodramas and such television soap operas as Falcon Crest.
Turner’s screen roles often mirrored her tumultuous private life. Her seven husbands included bandleader Artie Shaw and Lex Barker, an actor best known for playing Tarzan, and she was romantically linked to numerous other men. She made headlines nationwide when her 14-year-old daughter, Cheryl Crane, stabbed to death Turner’s abusive gangster boyfriend, Johnny Stompanato. Turner’s account of her life, Lana—the Lady, the Legend, the Truth, was published in 1982.