Victor Emmanuel II Monument, massive structure at the foot of the Capitoline Hill in Rome, Italy, that was designed by Giuseppe Sacconi in 1885 and inaugurated in 1911. The monument celebrates the unification of Italy and honors Victor Emmanuel II, who was for many years a leader of the movement toward a united Italy and in 1871 became the first king of the fully reunified Italy.
Built of white Brescian marble, the Neoclassical monument is visible from most parts of the city. At its base a huge staircase, flanked by fountains and statues, leads to the central Altar of the Fatherland, featuring a marble sculpture of the goddess Roma and surmounted by a bronze portrayal of Victor Emmanuel atop a colossal horse. Staircases continue upward to two propylaea on either side of a long colonnade of Corinthian columns, with two winged Victories surmounting the roofline, each riding a chariot.
The monument is often derided as being too large and pretentious, called anything from the “wedding cake” to the “typewriter” (a nickname given by the Americans in 1944). Its origins are also controversial because part of Capitoline Hill and a medieval neighborhood were demolished to make space for it. Inside the base of the monument is the small Central Museum of the Risorgimento, built in 1935 and opened in 1970. The Tomb of the Unknown Soldier was added to the Altar of the Fatherland after World War I. The monument was used as a setting for military parades by Benito Mussolini but was stripped of its added Fascist symbols after the end of World War II.