whore of Babylon, in Christianity, a portentous figure described in the apocalyptic Revelation to John. She is seen as analogous to the pagan nations and governments considered in direct opposition to the Christian faith, particularly the imperial city of Rome.
The whore of Babylon is disclosed to Revelation’s narrator, John of Patmos, in a vision from an angel:
I saw a woman sitting on a scarlet beast that was full of blasphemous names, and it had seven heads and ten horns. The woman was clothed in purple and scarlet and adorned with gold and jewels and pearls, holding in her hand a golden cup full of abominations and the impurities of her prostitution, and on her forehead was written a name, a mystery: “Babylon the great, mother of whores and of earth’s abominations.” And I saw that the woman was drunk with the blood of the saints and the blood of the witnesses to Jesus (Revelation 17:3–6).
Given the forced detention suffered by the Jewish people during the Babylonian Exile (ending in 538 bce), Babylon has long served as an exemplar of evil in the Hebrew Bible and the subsequent Judeo-Christian tradition. The prophet Jeremiah recounted heavenly messages that Babylon had “fallen and…shattered” (Book of Jeremiah 51:8) and “become a horror among the nations” (50:23); later, he instructed Israel’s armies to castrate Babylonian soldiers while attacking the city. In the Book of Isaiah, Babylon is called a “faithful city” that had “become a whore” (1:21). These descriptions are echoed by those of the whore of Babylon in Revelation, which was written about 96 ce. Like the ancient city of Babylon, the whore is an enemy of God’s chosen people; also like the city, she is described as sexually deviant. The seat of idolatry, she is said to have “committed fornication” with the “kings of the earth” (Revelation 17:2) and thus influenced the kings toward evil. Her downfall is described in graphic terms: “they…will hate the whore; they will make her desolate and naked; they will devour her flesh and burn her up with fire” (17:16).
The whore of Babylon does not necessarily represent a resurrection of ancient Babylon, which fell to Cyrus the Great in 539 bce. Rather, she is often believed to represent Rome—a much more present threat to early Christians. The seven heads of the whore’s “scarlet beast” can be understood as the Seven Hills of Rome, which at the time were so iconic as to be depicted on coins. A number of other early Christian writers and theologians similarly associated Roman rule with the coming apocalypse. Some regarded it as the “fourth kingdom” prophesied in the Book of Daniel, a pagan world power that would eventually be destroyed by the Kingdom of God. For many contemporary (and later) Christians, Rome was clearly the whore of Babylon, who is described as “the great city that rules over the kings of the earth” (Revelation 17:18).
Of course, given the diversity of Christian thought and eschatology, some Christian sects interpret the whore of Babylon differently. She has been variously identified with Jerusalem, non-Christian religions, modern society and culture, Russia, the United States, and even the Roman Catholic Church. Serving as an ambiguous and adaptable metaphor, she is sometimes understood as a false religion or worldview that will enable the Antichrist’s rise to power prior to the Last Judgment.
In art history, one notable depiction of the whore is Albrecht Dürer’s The Whore of Babylon, from his series “The Apocalypse” (1496–98). The woodcut features the whore in modern 15th-century Italian dress, riding a winged creature with seven heads. A group of people, including one in monk’s garb, gaze up at her; in the background, a city—either Rome or Babylon—burns. Strong Gothic influence dominates the woodcut series, though Dürer spent much of his career experimenting with more modern artistic styles. Still, it was this series, in a traditional style, that made him famous.