Algernon Swinburne summary

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Below is the article summary. For the full article, see Algernon Charles Swinburne.

Algernon Charles Swinburne, watercolour by Dante Gabriel Rossetti, 1862; in the Fitzwilliam Museum, Cambridge.

Algernon Swinburne, (born April 5, 1837, London, Eng.—died April 10, 1909, Putney, London), English poet and critic. After attending Eton and the University of Oxford, Swinburne lived on an allowance from his father. His verse drama Atalanta in Calydon (1865) first showed his lyric powers. Poems and Ballads (1866), containing some of his best work, displays his paganism and masochism and provoked controversy; a second series (1878) was less hectic and sensual. His verse is marked by emphatic rhythms, much alliteration and internal rhyme, and lush subject matter. His health collapsed in 1879 and he spent his last 30 years under a friend’s guardianship. His early poetry is noted for innovations in prosody, but his later poetry is considered less important. Among his outstanding critical writings are Essays and Studies (1875) and monographs on William Shakespeare (1880), Victor Hugo (1886), and Ben Jonson (1889).

literary criticism Summary

Literary criticism, the reasoned consideration of literary works and issues. It applies, as a term, to any argumentation about literature, whether or not specific works are analyzed. Plato’s cautions against the risky consequences of poetic inspiration in general in his Republic are thus often

poetry Summary

Poetry, literature that evokes a concentrated imaginative awareness of experience or a specific emotional response through language chosen and arranged for its meaning, sound, and rhythm. (Read Britannica’s biography of this author, Howard Nemerov.) Poetry is a vast subject, as old as history and

biography Summary

Biography, form of literature, commonly considered nonfictional, the subject of which is the life of an individual. One of the oldest forms of literary expression, it seeks to re-create in words the life of a human being—as understood from the historical or personal perspective of the author—by