Dame Elizabeth Taylor summary

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Below is the article summary. For the full article, see Elizabeth Taylor.

Dame Elizabeth Taylor, (born Feb. 27, 1932, London, Eng.—died March 23, 2011, Los Angeles, Calif., U.S.), U.S. film actress. She left London for Los Angeles with her American parents at the outset of World War II. Noted for her exceptional beauty from childhood, she was discovered by a talent scout in Beverly Hills. She made her screen debut in 1942, appeared in Lassie Come Home in 1943, and became a star with National Velvet in 1944. She was a glamorous adult star in A Place in the Sun (1951), Cat on a Hot Tin Roof (1958), and Butterfield 8 (1960, Academy Award). In Who’s Afraid of Virginia Woolf (1966, Academy Award) and other films, she starred opposite her husband, Richard Burton. After the mid-1970s, she appeared only intermittently in films, Broadway plays, and television films. Taylor’s personal life (she was married eight times) was exceptionally well publicized and often tended to overshadow her acting career.

Richard Burton Summary

Richard Burton was a Welsh stage and motion-picture actor noted for his portrayals of highly intelligent and articulate men who were world-weary, cynical, or self-destructive. Jenkins was the 12th of 13 children born to a Welsh coal miner. He studied acting under Philip Burton, a schoolteacher who

Academy Award Summary

Academy Award, any of a number of awards presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California, U.S., to recognize achievement in the film industry. The awards were first presented in 1929, and winners receive a gold-plated statuette commonly

acting Summary

Acting, the performing art in which movement, gesture, and intonation are used to realize a fictional character for the stage, for motion pictures, or for television. (Read Lee Strasberg’s 1959 Britannica essay on acting.) Acting is generally agreed to be a matter less of mimicry, exhibitionism, or

film Summary

Film, series of still photographs on film, projected in rapid succession onto a screen by means of light. Because of the optical phenomenon known as persistence of vision, this gives the illusion of actual, smooth, and continuous movement. (Read Martin Scorsese’s Britannica essay on film