Hugo von Hofmannsthal summary

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Hugo von Hofmannsthal, (born Feb. 1, 1874, Vienna, Austria—died July 15, 1929, Rodaun, a suburb of Vienna), Austrian poet, dramatist, and essayist. Born into an aristocratic banking family, he made his reputation with lyric poems (the first published when he was 16) and verse plays, including The Death of Titian (1892) and Death and the Fool (1893). He renounced lyrical poetry in a 1902 essay and thereafter turned to theatre; his later plays include Christina’s Journey Home (1910), Everyman (1911), The Difficult Man (1921), and The Tower (1925). In 1906 he began a celebrated collaboration with the composer Richard Strauss; their remarkable first opera, Elektra (1908), was followed by Der Rosenkavalier (1910), Ariadne auf Naxos (1912, revised 1916), Die Frau ohne Schatten (1919), and others. In 1920 he cofounded the Salzburg Festival with Max Reinhardt.

Richard Strauss Summary

Richard Strauss was an outstanding German Romantic composer of the late 19th and early 20th centuries. His symphonic poems of the 1890s and his operas of the following decade have remained an indispensable feature of the standard repertoire. Strauss’s father, Franz, was the principal horn player of

essay Summary

Essay, an analytic, interpretative, or critical literary composition usually much shorter and less systematic and formal than a dissertation or thesis and usually dealing with its subject from a limited and often personal point of view. Some early treatises—such as those of Cicero on the

poetry Summary

Poetry, literature that evokes a concentrated imaginative awareness of experience or a specific emotional response through language chosen and arranged for its meaning, sound, and rhythm. (Read Britannica’s biography of this author, Howard Nemerov.) Poetry is a vast subject, as old as history and

comedy Summary

Comedy, type of drama or other art form the chief object of which, according to modern notions, is to amuse. It is contrasted on the one hand with tragedy and on the other with farce, burlesque, and other forms of humorous amusement. The classic conception of comedy, which began with Aristotle in