John Dryden summary

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John Dryden, (born Aug. 9, 1631, Aldwinkle, Northamptonshire, Eng.—died May 1, 1700, London), British poet, dramatist, and literary critic. The son of a country gentleman, Dryden was educated at the University of Cambridge. His poetry celebrating the Restoration so pleased Charles II that he was named poet laureate (1668) and, two years later, royal historiographer. Even after losing the laureateship and his court patronage in 1688 with the accession of William III, he succeeded in dominating the literary scene with his numerous works, many attuned to politics and public life. Several of his nearly 30 comedies, tragedies, and dramatic operas—including Marriage A-la-Mode (1672), Aureng-Zebe (1675), and All for Love (1677)—were outstandingly successful. His Of Dramatick Poesie (1668) was the first substantial piece of modern dramatic criticism. Turning away from drama, he became England’s greatest verse satirist, producing the masterpieces Absalom and Achitophel (1681) and Mac Flecknoe (1682). He also produced extensive translations of Latin poetry, including Virgil’s Aeneid.

satire Summary

Satire, artistic form, chiefly literary and dramatic, in which human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, parody, caricature, or other methods, sometimes with an intent to inspire social reform. Satire is a

literary criticism Summary

Literary criticism, the reasoned consideration of literary works and issues. It applies, as a term, to any argumentation about literature, whether or not specific works are analyzed. Plato’s cautions against the risky consequences of poetic inspiration in general in his Republic are thus often

poetry Summary

Poetry, literature that evokes a concentrated imaginative awareness of experience or a specific emotional response through language chosen and arranged for its meaning, sound, and rhythm. (Read Britannica’s biography of this author, Howard Nemerov.) Poetry is a vast subject, as old as history and

comedy Summary

Comedy, type of drama or other art form the chief object of which, according to modern notions, is to amuse. It is contrasted on the one hand with tragedy and on the other with farce, burlesque, and other forms of humorous amusement. The classic conception of comedy, which began with Aristotle in