Paul de Man summary

Written and fact-checked by The Editors of Encyclopaedia Britannica

Below is the article summary. For the full article, see Paul de Man.

Paul de Man, (born Dec. 6, 1919, Antwerp, Belg.—died Dec. 21, 1983, New Haven, Conn., U.S.), Belgian-born U.S. literary critic. He immigrated to the U.S. in 1947, attended Harvard University, and in 1970 joined the faculty at Yale University, where he remained the rest of his life. His groundbreaking Blindness and Insight (1971) made Yale the American centre for deconstructive literary criticism (see deconstruction). His other works include Allegories of Reading (1979), The Rhetoric of Romanticism (1984), and Aesthetic Ideology (1988). His reputation was undermined with the posthumous revelation of his wartime anti-Semitic writings for the pro-Nazi Belgian newspaper Le Soir.

essay Summary

Essay, an analytic, interpretative, or critical literary composition usually much shorter and less systematic and formal than a dissertation or thesis and usually dealing with its subject from a limited and often personal point of view. Some early treatises—such as those of Cicero on the

journalism Summary

Journalism, the collection, preparation, and distribution of news and related commentary and feature materials through such print and electronic media as newspapers, magazines, books, blogs, webcasts, podcasts, social networking and social media sites, and e-mail as well as through radio, motion

deconstruction Summary

Deconstruction, form of philosophical and literary analysis, derived mainly from work begun in the 1960s by the French philosopher Jacques Derrida, that questions the fundamental conceptual distinctions, or “oppositions,” in Western philosophy through a close examination of the language and logic

literary criticism Summary

Literary criticism, the reasoned consideration of literary works and issues. It applies, as a term, to any argumentation about literature, whether or not specific works are analyzed. Plato’s cautions against the risky consequences of poetic inspiration in general in his Republic are thus often