The Neolithic Period, or New Stone Age, the age of the ground tool, is defined by the advent around 7000 bce of ground and polished celts (ax and adz heads) as well as similarly treated chisels and gouges, often made of such stones as jadeite, diorite, or schist, all harder than flint. A ground tool is one that was chipped to rough shape in the old manner and then rubbed on or with a coarse abrasive rock to remove the chip scars either from the entire surface or around the working edge. Polishing was a last step, a final grinding with fine abrasive. That such a tool is pleasing to the eye is incidental; the real worth of the smoothing lay in the even cutting edge, superior strength, and better handling. The new ax would sink deeper for a given blow while delivering a clean and broad cut; its smooth bit, more shock resistant than the former flaked edge, had less tendency to wedge in a cut.

Although the polished rock tool is the index to the Neolithic Period, it may be noted that the ice sheets were receding and climatic conditions were assisting the conversion of hunters into herdsmen. The new, relatively sedentary life spawned further inventions, such as pottery. From the standpoint of tools, the potter’s kiln and art were necessary steps to metals, for a modification of the kiln probably provided the high temperatures and equipment needed for metalworking, first for melting native metals and later for the smelting process that gave rise to a wealth of metals, several of which proved to be superior materials for tools.

The polished Neolithic ax, a heavy implement, was in sharp contrast to the delicate small-rock work of the last stages of the Paleolithic Period and was a reversal of the traditions of products that had yielded ever more lineal feet of cutting edge per pound of stone. The ax and its companion adz met the need to clear land as agriculture developed. An efficient tree-cutting tool was indispensable for the slash-and-burn agriculture then devised. Trees were either cut down or killed by ringing them with an ax; the debris was burned over, with the ashes conferring a slight enrichment of the stump-filled field. The soil was next scarified with sticks or stone-headed hoes resembling the adz to prepare it for seeding among the stumps. Without manuring or other treatment, the land was exhausted after a few years, necessitating a repetition of the clearing process elsewhere. The consequence was a shifting settlement pattern, with a good ax needed not only for felling trees but also for working timber for settlement.

Wood began its broad role in human life with the ground and polished tools of the Neolithic. Home and fire, furniture and utensils, cradle and coffin were products of the ax, adz, and chisel, which could fashion wood intricately and with precision. This kit of tools turned wood into an almost universal building material, for a host of new things was now possible, such as dugout canoes of oak, paddles and framing for hide-covered boats, sledges, skis, wooden platters and ladles, as well as other household gear. Mortise and tenon joints were invented for the structural framing of substantial habitations. Some of the gabled houses were up to 30 metres (100 feet) long and 20 metres (66 feet) wide and are believed to have served as both granaries and living quarters for perhaps 20 people comprising several families.

In a revealing experiment, 4,000-year-old polished rock axes, furnished by the Danish National Museum and carrying the sharpness left after their last use 4,000 years ago, were fitted with ash handles modeled after that of a Neolithic hafted ax preserved in a bog, giving the ax an overall length of nearly 63 cm (25 inches). (A modern steel felling ax has a 91-cm [36-inch] handle.) When these were used in a Danish forest, it was soon found that the violent action of the modern technique of swinging a steel ax and putting shoulder and weight behind the blade to give long and powerful blows was disastrous, either ruining the edge or breaking the blade. Proper handling meant short quick strokes that chipped at the tree, the body action being constrained to mainly elbow and wrist motion. After getting into form, the men found it possible to fell an oak tree more than 0.3 metre (1 foot) in diameter in half an hour or a pine 61 cm (2 feet) in diameter in less than 20 minutes. One-eighth acre (600 square yards, or 0.05 hectare) of silver birch forest were cleared by three men in four hours. One axhead cut down more than 100 trees on its original (old) sharpening. It was concluded that Neolithic people and their ground flint axes had no great difficulties in making large clearings in the forest for the purposes of cultivation. It may also be remarked that it was less trouble to clear the forest than to break the age-old and tough sod of the plains.

The Neolithic farmers of northern Europe, with their practice of deforestation for agriculture, were completely dependent upon polished axes. This created a heavy demand for good rock that depleted local sources and resulted in flint mining in well-endowed locations in what are now England, Belgium, the Netherlands, France, Denmark, Sweden, Poland, Portugal, Sicily, and Egypt. Often more than just mining, these operations were ax factories where flints were shaped into rough form by chipping at the pithead and then traded. Grinding and polishing were done by the consumer.

An idea of the magnitude of such a mining enterprise is offered by the well-explored workings known as Grimes Graves, about 130 km (80 miles) northeast of London. The site covers about 34 acres (14 hectares) and includes both opencast workings and 12.2-metre- (40-foot) deep shafts with radiating galleries that exploited the flint deposit laid down as a floor under chalk beds. Excavation was probably by wooden shovel (a product of the polished ax and chisel) or possibly the shoulder blades of oxen. It is estimated that 50,000 picks made of red-deer antlers were used during the 600 years of activity in the mine, which began about 2300 bce.

A last innovation of the Neolithic was the augmentation of the two older techniques of working stone, chipping (or flaking) and grinding, by a third, the pecking, or crumbling, method. In this procedure a point of the rock being worked was bruised by a hard hammerstone, the struck points crumbling into powder under relatively light but rapidly delivered blows. This technique allowed the manufacture of tools from numerous varieties of appropriate but nonflaking rock and the production of hollow ware, such as querns for grinding grain, mortars, and bowls. It also could be applied to flakable stone; such a stone, after having been roughed out by flaking, was pecked to level the ridges between flake scars before grinding and polishing.

Stone tools maintained themselves during the Metal Age, yielding only slowly to the new material, which was expensive and the product of special skills. The copper and bronze tools and weapons for hunting, warfare, husbandry, and domestic use that constitute impressive displays in museums were rare luxuries. Even the much more abundant iron, which overtook and replaced copper and bronze articles, was available only sparingly for many centuries.

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Early metals and smelting

The discovery that certain heavy “stones” did not respond to hammerblows by flaking or fracturing but were instead soft and remained intact as their shapes changed marked the end of the long Stone Age. Of the pure, or native, metals, gold and silver seem to have attracted attention at an early date, but both were too soft for tools. The first metals of value for toolmaking were natural copper and meteoric iron. Although they were scarce, they were tough and potentially versatile materials that were suited for new purposes, as well as many of the old. They also introduced a new problem, corrosion.

Metalworking

Copper occurs in native state in many parts of the world, sometimes in nuggets or lumps of convenient size. It is malleable; that is, it can be shaped by hammering while cold. This also hardens copper and allows it to carry a sharp edge, the hammered edge being capable of further improvement on an abrasive stone. After a certain amount of hammering (cold-working), copper becomes brittle, a condition that can be removed as often as necessary by heating the material and plunging it into cold water (quenching). The softening operation is known as annealing, and repeated annealings are necessary if much hammering is required for shaping.

Among early toolmakers, nuggets of copper were hammered into sheets, divided into strips, and then separated into pieces to be worked into arrowheads, knives, awls, choppers, and the like. Copper was also shaped by beating pieces of the soft metal into appropriately shaped rock cavities (molds).

Meteoric iron, widely distributed but not in heavy deposits, was a highly prized material more difficult to fabricate than the softer copper. Its celestial origin was recognized by the ancients: the ancient Egyptians called it black copper from heaven, and the Sumerians denoted it by two characters representing heaven and fire.

Like copper, iron hardens under the hammer and will then take a superior edge. Iron can be annealed, but the process is quite different from that of copper because, with iron, slow cooling from a high temperature is necessary. Meteoric iron is practically carbonless and, hence, cannot be hardened in the manner of steel; a high nickel content of about 8 percent makes it relatively corrosion resistant.

For early toolmakers, small meteorites were the most convenient sources of iron, but larger bodies were hacked at with copper and rock tools to yield tool-sized pieces for knives, spear points, arrowpoints, axheads, and other implements. Meteoric iron was beaten into tools in much the same way as copper, although it could not be forced into a mold in the manner of the softer metal. Much rarer than copper, meteoric iron also was often used for jewelry, attested to by burial finds of necklaces of iron and gold beads, iron rings along with gold rings, and ornaments in sheet form.

Casting

In casting, a liquid metal is poured into a cavity or a mold, where it takes the shape of the mold when it congeals; casting shapes the metal to essentially final form once a proper cavity has been prepared. Some touch-up work may be needed; for an edged copper tool, such as an ax or knife for example, hammering the cutting side gives a keen edge.

A great step forward was made with the discovery that gold, silver, and copper could be melted and cast with many advantages. Casting meant that the size of the tool was no longer dependent on the size of a chunk of available copper. Old tools could be added to a melt instead of being thrown out. This reuse of old metal accounts in part for the scarcity of virgin-copper implements.

To make the procedures of melting and casting possible, several innovations were required. Pottery making, already well established, provided the knowledge of heat-based processes. Clay vessels were essential to working with fluid metal, for, in all but the most primitive operations, it was necessary to convey the melt from furnace to mold. Aside from providing crucibles, pottery making taught how to restructure a fire with a deep bed of prepared charcoal to provide a heat superior to that of a simple campfire. Tongs of some sort had to be devised to carry the hot crucible; it is surmised that green branches were bent around the pot and replaced as needed.

A number of forms of molds were developed. The most primitive was simply an impression of a rock tool in clay or sand to give a cavity of the desired form. A more durable mold resulted when the cavity was worked into stone. Cavities of uniform depth allowed flat but profiled pieces to be cast. For example, some ax blade castings were roughly T-shaped, the arms of the T being afterward bent around to clasp a handle of some sort, with the bottom of the T becoming the cutting edge. A one-piece mold, prepared for a dagger, could have a groove for most of the length of the cavity to provide a stiffening rib on one side. With experience, closed but longitudinally split and, hence, two-piece molds were devised, each side having a groove down the middle to furnish a strengthening rib on both sides of the blade.

Split molds for copper were not desirable because pure copper is a poor metal for casting. It contracts a good deal on cooling and has a tendency to absorb gases and thereby become porous, blistered, and weak. Also, molten copper exposed to atmospheric oxygen contains embrittling cuprous oxide.