Literature in the Vernacular
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Assorted References
- discussed in biography
- In Dante: Exile, Il convivio, and De monarchia
1304–07; Concerning Vernacular Eloquence], a companion piece, presumably written in coordination with Book I, is primarily a practical treatise in the art of poetry based upon an elevated poetic language.) Dante became the great advocate of its use, and in the final sentence of Book I…
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- In Dante: Exile, Il convivio, and De monarchia
- place in Italian literature
- In Italian literature: Dante (1265–1321)
Literature in the Vernacular), written about the same time but in Latin, contains the first theoretical discussion and definition of the Italian literary language. Both these works remained unfinished. In a later doctrinal work, also in Latin, De monarchia (written c. 1313; On Monarchy), Dante…
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- In Italian literature: Dante (1265–1321)
- views on Cino Da Pistoia
- In Cino Da Pistoia
…despite the fact that in De vulgari eloquentia (“Of Eloquence in the Vulgar Tongue”) Dante calls him the best Italian love poet, a judgment not held by later critics. Some of his poems are biographical, such as his canzoni to Dante on the death of Beatrice. Most of them, however,…
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- In Cino Da Pistoia
theory of
- Italian unity
- In Italy: Characteristics of the period
Dante—seeking in his De vulgari eloquentia (written 1304–07; “On the Eloquence of the Vernacular”) to find, amid what he described as “a thousand different dialects,” “the elusive panther” of some basis for a common vernacular literary language—argued that there were some “very simple standards of manners, dress, and…
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- In Italy: Characteristics of the period
- tragedy
- In tragedy: Classical theories
…makes this distinction in his De vulgari eloquentia (1304–05; “Of Eloquence in the Vulgar”) in which he also declares the subjects fit for the high, tragic style to be salvation, love, and virtue. Despite the presence of these subjects in this poem, he calls it a comedy because his style…
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- In tragedy: Classical theories