Six Feet Under
Six Feet Under, highly praised American television drama that aired on HBO for five seasons (2001–05) and won numerous awards, including nine Emmy Awards and three Golden Globe Awards.
Created by Alan Ball, who won an Academy Award for his screenplay for American Beauty (1999), Six Feet Under chronicles the lives of the Fisher family, who run a funeral home in Los Angeles. The series begins with the death of the family patriarch, Nathaniel Fisher (Richard Jenkins), which brings his prodigal eldest son, Nate (Peter Krause), home from Seattle. Grudgingly, Nate becomes a partner in the business and takes his place in the family, which includes his brother, David (Michael C. Hall), who hides his homosexuality from most of the world; his eccentric mother, Ruth (Frances Conroy); and his troubled, artistic teenaged sister, Claire (Lauren Ambrose). Also pivotal to the story are Nate’s love interests: Lisa (Lili Taylor), his estranged girlfriend, who gives birth to Nate’s daughter and becomes his wife, and Brenda (Rachel Griffiths), who struggles with her legacy as the childhood subject of a famous book by her psychologist parents and with a codependent relationship with her brilliant but disturbed brother, Billy (Jeremy Sisto). Likewise, David’s partner, Keith (Mathew St. Patrick), a policeman, and Federico (Freddy Rodríguez), a mortician who works for the Fishers and then becomes a partner, are crucial members of Six Feet Under’s cast.
Over its course, the show offers one of the most complex and realistic television portrayals of the American family, in large part because of the ensemble cast and the team of writers who were unafraid to look death—and life—squarely in the eye. Nearly every episode begins with a vignette of a person’s death; generally, that body is cared for by the Fisher family and influences the plot of that particular show. But while mortality provides a plot mechanism and while the show often focuses on the ways the characters choose to live amid the constant presence of death (including the spectral presence of Nathaniel), more important is its honest exploration of family dynamics and human psychology. The show explores taboo and sensitive subjects with humour, sophistication, and sympathy and is not afraid to engage in hard-won sentiment.
