Also spelled:
ghazel or gasal
Turkish:
gazel
Key People:
Ḥāfeẓ

ghazal, in Islamic literatures, genre of lyric poem, generally short and graceful in form and typically dealing with themes of love. As a genre the ghazal developed in Arabia in the late 7th century from the nasib, which itself was the often amorous prelude to the qaṣīdah (ode). Two main types of ghazal can be identified, one native to Hejaz (now in Saudi Arabia), the other to Iraq.

The ghazals by ʿUmar ibn Abī Rabīʿah (d. c. 712/719) of the Quraysh tribe of Mecca are among the oldest. Umar’s poems, based largely on his own life and experiences, are realistic, lively, and urbane in character. They continue to be popular with modern readers.

What became a classic theme of the ghazal was introduced by Jamīl (died 701), a member of the ʿUdhrah tribe from Hejaz. Jamīl’s lyrics tell of hopeless, idealistic lovers pining for each other unto death. These enormously popular works were imitated not only in Arabic but also in Persian, Turkish, and Urdu poetry until the 18th century. The genre is also present in many other literatures of Central and South Asia.

Illustration of "The Lamb" from "Songs of Innocence" by William Blake, 1879. poem; poetry
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Of additional note is the work of Ḥāfeẓ (d. c. 1389/90), considered among the finest lyric poets of Persia, whose depth of imagery and multilayered metaphors revitalized the ghazal and perfected it as a poetic form. The ghazal was introduced to Western literature by German Romantics, notably Friedrich von Schlegel and J.W. von Goethe.

This article was most recently revised and updated by Kathleen Kuiper.

Urdu literature, writings in the Urdu language of the Muslims of Pakistan and northern India. It is written in the Perso-Arabic script, and, with a few major exceptions, the literature is the work of Muslim writers who take their themes from the life of the Indian subcontinent. Poetry written in Urdu flourished from the 16th century, but no real prose literature developed until the 19th century, despite the fact that histories and religious prose treatises are known from the 14th century. More colloquial forms of writing gradually displaced the classically ornate literary Urdu in the 19th century; in the 20th century, Urdu literature was stimulated by nationalist, pan-Islāmic, and socialist feeling, and writers from the Punjab began to contribute more than those from the traditional Urdu areas of Delhi and Lucknow.