- Related Topics:
- space perception
- illusion
- time perception
- hallucination
- movement perception
- On the Web:
- The Berkeley Well-Being Institute - Perception: Definition, Examples, & Types (Mar. 21, 2025)
The most direct examination of perceptual learning is provided by investigating the effects of practice. In so-called detection tasks the observer is required to detect the presence or absence of a selected stimulus. For example, effects of practice on visual acuity were studied by requiring observers to detect simple orientation (left or right) in a row of leaning letters; e.g., . Practice tended to lower acuity thresholds, defined as the lowest intensity of illumination at which each observer could detect the orientation. Or, observers were asked to say when they just could see that an approaching pair of parallel bars was double. With practice they continued to report seeing the narrow space between the bars at increasing distances. Such improvements suggest that sensitivity to simple (unidimensional) stimuli is not immutable, being modifiable through practice.
Improvement is not limited to simple variables. In one visual-search procedure, subjects scanned a long list of letters to find a single letter that appeared only once. Search time was reduced by a factor of 10 following extensive practice, after which 10 different letters could be detected as quickly as a single letter. Practice effects with complex targets also have been studied. In one experiment, two rows of figures were displayed on each trial, one with four simple outlines of geometrical figures, the other containing three complicated figures. Subjects were to guess or detect which one of the simple figures was concealed (embedded) in all three of the complex figures. Again, ability to identify the correct simple figure improved with practice.
Tasks involving absolute judgment require much more of the observer than does simple or complex detection. For example, he may be asked to estimate the diameters of circular targets numerically (e.g., in inches or centimetres). In a similar study, two groups of subjects made absolute judgments of widely varying distances outdoors, both before and after interpolated activity. One group spent the interpolated period estimating a large number of other distances, none the same as in the original series. The other group spent the interval on unrelated paper-and-pencil work. In the first (extra-practice) group, judgments became more accurate and less variable than among the pencil-and-paper workers. Increased precision following practice also has been reported for absolute judgments of odour intensities, and of multidimensional visual (colour) and auditory stimuli. Improvement with practice is observed even when the subject remains uninformed of his accuracy; correcting him seems to confer slight benefit.
Many studies have failed to establish a clear basis for observed improvements in altered perceptual sensitivity or discriminability. For example, better performance on an acuity test may result from adopting a new criterion of visual doubleness or from learning how to use characteristics of blur to infer slant among leaning Es. Such uncertainties cloud the theoretical and practical significance of much available data.
U.S. psychologist William James (1842–1910) probably introduced the notion that practice in labelling stimuli can alter their discriminability. Indeed, sometimes vague visual forms that are distinctively named are easier to discriminate (acquired distinctiveness). If several such stimuli have the same verbal label, discriminability may be reduced (acquired equivalence).
Labelling effects in the laboratory have been discouragingly fragile, however, and factors that favour them are poorly understood. Perhaps labelling affects one’s efforts to discover distinguishing characteristics of stimuli. Having him learn distinctive labels may encourage him to analyze sensory features more fully. Or it may be that he begins to perceive a compound stimulus that includes the visual form and its associated label. If labels differ, the presumed compound stimuli are different, and discrimination should be enhanced. These hypotheses express both the discovery and enrichment theses.
Effects of perceptual assumptions
According to one version of the enrichment thesis, exposure to recurrent regularities among stimuli prompts one to assume specific relationships between the environment and his sensory experience. For example, one learns that a continuous sequence of projective transformation (e.g., the circular profile of a dinner plate seems to become elliptical) is associated with changing positions of the object in view, or that continuous symmetrical expansion of the retinal image is associated with approach. In addition, one presumably learns to make assumptions about what is called reality; e.g., despite alterations in retinal image, one perceives the plate to stay the same size. Psychologists Adelbert Ames, Jr., and Egon Brunswik proposed that one perceives under the strong influence of his learned assumptions and inferences, these providing a context for evaluating sensory data (inputs). In keeping with enrichment theory, Brunswik and Ames contended that sensory stimuli alone inherently lack some of the information needed for mature, adaptive perceiving; enrichment was held necessary to reduce ambiguity.
Much of the evidence for the contention that all perceiving is modified by one’s assumptions comes from investigations in which most of the visual, everyday stimuli are eliminated. Often, the subject may view an isolated target in total darkness or look at a motionless display while keeping his head steady. To show that learned assumptions about physical size affect perceived distance, the observer may be asked to judge how far he is from a rectangle of light displayed against total darkness. He is told at one time that the rectangle is a calling card; at another it is called a business envelope. His assumptions about these objects in relation to the size of his retinal image are invoked as prompting him to say that the “envelope” looks more distant than does the “calling card.” Dramatic examples of this effect were invented by Ames, including his famous distorted room (see ).
Ames held that perceiving under unusual conditions (e.g., in a dark room) follows the same principles that govern more ordinary experience. The special conditions are said to permit experimental scrutiny of the same processes that are so difficult to examine under ordinary, uncontrolled conditions.
An opposing view is that such perceptual assumptions and inferences operate only under specific experimental conditions. It is asserted that only when commonly available sources of information are eliminated is the subject forced to rely on assumptions.
In the tradition of Helmholtz, Ames and Brunswik seemed to liken perceiving to reasoning, although not as a conscious process. They held that perceptual assumptions, once established, are influenced only slightly by logic. Although the floor and ceiling of the distorted room are sloped and all windows are of different size, it projects the same retinal pattern as a normal room; and a naıve subject will report that he sees an ordinary room. But even after he explores the room he remains likely to say it looks rectangular as before, despite his new information. Comparable observations have been reported for a variety of situations. Familiarization or instruction seems to have little effect on long-established perceptual assumptions.
William EpsteinPsychoanalytic theory explicitly calls for motivational influences on such functions as memory, thinking, and perceiving. In particular, the theory is concerned with unconscious motives and conflicts and with unconscious defenses (such as repression) used to control them. According to the psychoanalytic hypothesis, there should be wide perceptual variation among individuals in response to stimuli that have motivational significance. At any rate, a host of experiments have been designed to show that perceiving is indeed subject to unconscious influences.
In some studies, for example, it seemed that so-called obscene words flashed on a screen had to be exposed longer than apparently neutral (control) words before their meaning could be perceived. In the other studies, children of poor families have been found to overestimate the size of coins as compared with the judgments of children of richer families. One major problem with such research lies in finding or creating appropriate experimental and control stimuli. Considering differences in the use of language, for example, it is most unlikely that what once were widely called obscene words would currently evoke the conflicts and defenses of more than a few subjects.
Assuming suitable stimuli can be found, an even more serious problem arises around the interpretation of the subjects’ behaviour; for example, do people really find it more difficult to recognize obscene words or are they simply reluctant to admit recognition? Problems of this sort have plagued researchers, and unambiguously interpretable experiments in this field are most difficult to produce. The hypothesis of such individual influences as motivation on perception remains appealing and viable, but unproved.
William N. DemberInformation discrepancy
Striking examples of perceptual learning are observed when one receives sensory data that contradict earlier experiences. For example, spectacles containing a wedge prism will bend light rays to displace images on the retina. An object thus will be seen as if it were somewhere other than its ordinarily perceived position. The subject’s initial attempts to touch the target will be misdirected, and there is a discrepancy between its location as seen and as felt. A right-angle prism will tilt the visual scene to any desired degree, altering the customary direction in which retinal images move. Usually, images of stationary objects move parallel to the direction of head movement; now their motion is at an angle to the head’s path.
However, if an observer wears such eyeglasses for an extended period, objects no longer seem displaced, nor does the scene continue to appear tilted. The observer has adapted to the prismatic distortions and comes to perceive the environment as he did pre-experimentally. Similarly adaptation to the perceptual aftereffects rapidly occurs after the prism is removed in such experiments.
Adaptation may be interpreted as perceptual learning that results from exposure to discrepancy. People who wear prism spectacles during active, self-initiated movement tend to show a greater degree of adaptation than do those who sit still or who are moved passively. Apparently conditions that heighten exposure to discrepancies facilitate adaptation. It seems likely that adaptation reflects a learning process during which the perceiver re-evaluates one or more sources of sensory information to reduce his experience of discrepancy. For example, information generated by receptors that respond to tension in skeletal muscles may be re-evaluated to resolve a discrepancy between felt and seen position.
It often is suggested that adaptation to prism eyeglasses may involve the same processes that serve perceptual development in infants. Indeed, some conditions that experimentally facilitate adaptation to prism distortion also seem necessary for everyday perceptual development (e.g., active, self-initiated movement). In work reported by Richard Held (Scientific American, November 1965), actively moving kittens developed visually guided movements normally. When each of these was yoked to a littermate that was pulled passively over the same path, the passive partner failed to develop normal perceptual function. Yet both kittens apparently received identical visual stimuli.
The effects of learning on perceiving are varied. Most of these involve learning to respond to new stimuli or to make new responses to old stimuli. The one case consists of differentiating previously neglected stimulus characteristics; the other is a matter of re-evaluating stimuli and learning to respond to them differently.
Sex
It is difficult to assess the degree to which differences related to the sex of the perceiver are biologically based or are the cultural product of traditional differences in sex role. Biological sex and sex role thus far have been hopelessly confounded in experiments with human subjects.
Sex differences in perceiving, whatever their basis, can be illustrated in research on differences in the style with which people perceive. This stylistic difference emerges in extremes of response to context. If a person perceives the world as highly differentiated, he tends to resist contextual influences and is said to be field independent; the person who perceives in an extremely diffuse style, the field-dependent individual, tends to be highly susceptible to contextual effects. Thus, field-independent people are superior in locating a simple visual figure (e.g., a triangle) embedded in a complex pattern; similarly, field-independent subjects can better adjust a rod in a tilted frame to the true vertical when no other visual cues to verticality are present.
Both age and sex are found to be implicated in these differences in perceptual style. Specifically, field dependence declines with increasing age, as does the closely related susceptibility to optical illusions. In North American studies, female subjects tend to be more field dependent than are males, especially after puberty. Perhaps these results are distinctive of cultures in which females are at least implicitly trained to be passive and perceptually diffuse, and in which males are encouraged to assume an active, perceptually articulated stance. This hypothesis has received some support in studies of the parent–child interactions characteristic of the early years of the two types of subject.
Cultural influences
Beyond sex differences in perceiving that seem to be culturally imposed, there is evidence for more general cultural influences on perception. The burden of much research is to show that the type of physical environment people construct for themselves or choose to inhabit can influence their style of perceiving. There are African groups (e.g., Zulu and San), for example, whose environments are virtually lacking in rectangular forms, by contrast with the carpentered, right-angled world of people in Western cultures. People in these African groups also make no use in their art work of two-dimensional representations of three-dimensional objects. Such differences in visual environments show up in tests of susceptibility to illusions. Zulu and San subjects are relatively resistant to those visual illusions that depend for their effectiveness on the subjects’ treating the lines comprising the pictures as borders of three-dimensional, rectangular objects. Analogous effects with different classes of illusion have been shown for other peoples who live in a perceptually unique environment.
William N. Dember