Alessandro Scarlatti

Alessandro Scarlatti (born May 2, 1660, Palermo, Sicily, Kingdom of the Two Sicilies [now in Italy]—died Oct. 22, 1725, Naples) was an Italian composer of operas and religious works.

Scarlatti was sent to Rome at about the age of 12; there he met Bernardo Pasquini, by whom he was greatly influenced. The first of his 115 operas, Gli equivoci nel sembiante (1679) won him the protection of Queen Christina of Sweden, for whom he wrote L’honestà negli amori (1680) and in whose service he remained until 1684. These works brought him commissions for operas from Naples, where in 1684 he became maestro di cappella in the royal service. He remained there until 1702, writing more than 40 operas and musical entertainments for the court and its circle. Gli equivoci in amore (1690) is a typical example of his work during that period.

In 1702 Scarlatti went to Florence, where, over the next two years, he wrote four operas for the theatre of Prince Ferdinando III de’ Medici; the scores of these works have disappeared. In 1707 he was appointed maestro di cappella to Cardinal Pietro Ottoboni in Rome and was also elected to the Arcadian Academy there. The following year he held a like post at Santa Maria Maggiore in Rome and also wrote two operas on a larger scale, Il trionfo della libertà and Il Mitridate Eupatore, for production during the carnival in Venice. The latter is considered one of his finest works. Scarlatti traveled to Venice to supervise the performances; in 1709 he returned to his old post at Naples. There followed a period of intense activity during which he wrote serenades and masses as well as operas. La principessa fedele (1710), Scipione nelle Spagne (1714), and Il Tigrane (1715) are among his principal operatic successes of this period. The ternary aria form is developed in these works, which are also noted for a bolder use of the orchestral stringed instruments. In 1716 he wrote a mass for Pope Clement XI and in the same year completed his first opera buffa, Il trionfo dell’onore (Naples, 1718). Between 1718 and 1721 he wrote more operas and religious works. On his return to Naples in 1723 he seems to have gone into retirement.

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Composers & Their Music

Scarlatti is noted for his thematic development and chromatic harmony, which he used with great mastery and in a way that anticipates the work of much later composers, among them W.A. Mozart and Franz Schubert. He is chiefly remembered for his operas, in which he established the form of the Italian overture (i.e., the opera overture in three sections, allegro-adagio-allegro), which was a forerunner of the classical symphony. His chamber music is equally characteristic and shows him to have had a commanding conception of form. More than 600 chamber cantatas from all periods of his life are extant. He wrote little orchestral music, but he contributed to the development of the opera orchestra. Whereas in his youth the strings were used mainly to play introductions and ritornelli (instrumental interludes), Scarlatti placed more emphasis on the orchestral accompaniment to the voices. His use of wind instruments was similarly novel: trumpets, flutes, oboes, and bassoons were used for particular effects, and horns were introduced into the orchestra.