Alfred R. Waud

British-born American artist
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

Also known as: Alfred Rudolph Waud
Quick Facts
In full:
Alfred Rudolph Waud
Born:
October 2, 1828, London, England
Died:
April 6, 1891, Marietta, Georgia, U.S.
Also Known As:
Alfred Rudolph Waud

Alfred R. Waud (born October 2, 1828, London, England—died April 6, 1891, Marietta, Georgia, U.S.) was a British-born American illustrator whose lively and detailed sketches of scenes from the Civil War, which he covered as a press correspondent, captured the war’s dramatic intensity and furnished him with a reputation as one of the preeminent artist-journalists of his era.

Waud studied art in London at the Government School of Design (now the Royal College of Art) and the Royal Academy of Arts before immigrating to the United States in 1850. He briefly worked as an illustrator for the Boston humour magazine The Carpet-Bag and provided drawings for an 1857 guidebook on the area around Lake Ontario and the St. Lawrence River.

In 1860 Waud became a staff illustrator for the New York Illustrated News. Upon the commencement of civil war the following year, he was dispatched to cover the Army of the Potomac, the main Union military contingent. As a “special artist” for the newspaper, Waud produced a series of quickly rendered but veracious sketches in the field—including depictions of the First Battle of Bull Run—which were then printed as engravings. He remained with the army after joining the staff of Harper’s Weekly magazine at the end of 1861 and went on to sketch scenes of the Battle of Gettysburg, among other significant military actions.

After the war Waud continued to contribute sketches to Harper’s, documenting American life in locales ranging from the Reconstruction-era South to the western frontier. As a freelance illustrator, he contributed work to a number of publications, including the popular, copiously illustrated Picturesque America (1872–74), edited by William Cullen Bryant.

John M. Cunningham