Breyten Breytenbach
- Pseudonym:
- Jan Blom
- Born:
- September 16, 1939, Bonnievale, South Africa (age 85)
- Also Known As:
- Jan Blom
Breyten Breytenbach (born September 16, 1939, Bonnievale, South Africa) is a South African writer who was a leading Afrikaner poet and critic of apartheid. He spent seven years in prison (1975–82) on terrorism charges, and during a self-imposed exile he became a naturalized French citizen.
Born into an Afrikaner Cape Province family, Breytenbach attended the English-language University of Cape Town but left school at age 20 for travel in Europe. In 1961 he settled in Paris. His first book of poetry, Die ysterkoei moet sweet (“The Iron Cow Must Sweat”), was published in 1964. Several books of poetry followed that were highly acclaimed in South Africa. He was allowed to travel with his Vietnamese wife (who was classified as Coloured by the South African government) to South Africa in 1973.
About this time Breytenbach became increasingly involved in anti-apartheid efforts. That activism led him to return to the country in 1975 under an assumed name. Later that year he was arrested as a terrorist and jailed for seven years. While incarcerated, Breytenbach continued to write; ’n Seisoen in die Paradys (A Season in Paradise) was published in 1976, and other prison writings were published as Mouroir: Bespieëlende notas van ’n roman (Mouroir: Mirrornotes of a Novel) in 1983. In 1982 he was freed, and he subsequently returned to Paris. The True Confessions of an Albino Terrorist (1984), his account of his arrest and detention, cemented his international reputation. Following the end of apartheid in South Africa, Breytenbach traveled there in 1993, and he later taught at the University of Cape Town (2000–03).
Breytenbach’s free verse displays a powerful visual imagination and a richly eclectic use of metaphor. He is able to bring the most widely disparate ideas into relation with each other, mixing references to Zen and Tantric Buddhism with surrealistic images, Afrikaans idiomatic speech, and recollections of the South African landscape. His major themes are the necessity of decomposition and death in the natural world and his own hardships and sufferings as a prisoner and then as an exiled poet longing to return to his homeland.