Quick Facts
Born:
c. 1537, Rome, Papal States [Italy]
Died:
1602, Rome

Giacomo della Porta (born c. 1537, Rome, Papal States [Italy]—died 1602, Rome) was an Italian architect whose work represents the development in style from late Mannerism to early Baroque. He was the chief Roman architect during the latter third of the 16th century and contributed to most of the major architectural projects undertaken in Rome during that period.

Della Porta was a follower of Michelangelo and continued two of his greatest architectural projects, the Piazza del Campidoglio and St. Peter’s in the Vatican at Rome. Working with Domenico Fontana, the architect to Pope Sixtus V, Della Porta gave a higher, more pointed profile than Michelangelo had intended to the dome of St. Peter’s; it became the prototype of the Baroque dome. He also added the facade to Giacomo da Vignola’s Gesù, mother church of the Jesuits, which was widely copied by Jesuit missionaries and became the model of many Baroque church facades. Della Porta made Il Gesù’s facade dramatic and lively by gradually increasing the number of architectural elements toward the centre of his design, thus creating a sense of tension released by entrance into the building’s seemingly vast interior. He designed a number of palaces, the most famous being the Villa Aldobrandini (1598–1604; Frascati), his last work, notable for its huge broken pediment and elegant fenestration.

This article was most recently revised and updated by Encyclopaedia Britannica.
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Renaissance architecture, style of architecture, reflecting the rebirth of Classical culture, that originated in Florence in the early 15th century and spread throughout Europe, replacing the medieval Gothic style. There was a revival of ancient Roman forms, including the column and round arch, the tunnel vault, and the dome. The basic design element was the order. Knowledge of Classical architecture came from the ruins of ancient buildings and the writings of Vitruvius. As in the Classical period, proportion was the most important factor of beauty; Renaissance architects found a harmony between human proportions and buildings. This concern for proportion resulted in clear, easily comprehended space and mass, which distinguishes the Renaissance style from the more complex Gothic. Filippo Brunelleschi is considered the first Renaissance architect. Leon Battista Alberti’s Ten Books on Architecture, inspired by Vitruvius, became a bible of Renaissance architecture. From Florence the early Renaissance style spread through Italy. Donato Bramante’s move to Rome ushered in the High Renaissance (c. 1500–20). Mannerism, the style of the Late Renaissance (1520–1600), was characterized by sophistication, complexity, and novelty rather than the harmony, clarity, and repose of the High Renaissance. The Late Renaissance also saw much architectural theorizing, with Sebastiano Serlio (1475–1554), Giacomo da Vignola (1507–73), and Andrea Palladio publishing influential books.

This article was most recently revised and updated by J.E. Luebering.
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