Quick Facts
Also called:
Bidrohi Kobi
Born:
May 24, 1899, Churulia, Bengal [now in West Bengal, India]
Died:
August 29, 1976, Dhaka, Bangladesh (aged 77)
Top Questions

What is Kazi Nazrul Islam popularly known as?

How did Kazi Nazrul Islam contribute to Bengali music?

What happened to Kazi Nazrul Islam after he moved to Bangladesh?

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Kazi Nazrul Islam (born May 24, 1899, Churulia, Bengal [now in West Bengal, India]—died August 29, 1976, Dhaka, Bangladesh) was an influential and prolific Bengali poet and anti-imperial activist. He was known as Bidrohi Kobi (“Rebel Poet”) because of his revolutionary activities and participation in the Indian Independence Movement. His literary output includes poems, songs, short stories, novels, essays, and plays. Nazrul Islam significantly contributed to Bengali music with between 2,000 and 4,000 musical compositions, collectively known as Nazrul Geeti (“Songs of Nazrul”). His writings are admired for their themes of freedom, social justice, gender equality, and communal harmony. He migrated to Bangladesh in 1972 and was later named the country’s national poet.

Early years and army career

Nazrul Islam was born into a Muslim family in Bengal during the British raj. His father was the imam of a mosque and caretaker of a mausoleum, and Nazrul Islam received religious instruction at the village maktab, or elementary school. In 1908 his father died, and Nazrul Islam took his place as caretaker of the mausoleum. About this time he became interested in folk theater and joined a drama troupe. He wrote songs, poems, and plays for the troupe’s performances.

In 1910 Nazrul Islam enrolled in school but was unable to pay his fees. He dropped out and is believed to have joined a group of kaviyals, or folk poets. He variously worked as a cook and at a tea stall and was eventually able to return to school. However, he did not graduate. Instead, he joined the army in 1917, at age 18. He was posted to Karachi with his regiment and rose in rank to serve as his battalion’s quartermaster, though he did not see military action.

Rabindranath Tagore
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Bengali literature: Kazi Nazrul Islam

Literary debut and anti-colonial activism

Kazi Nazrul Islam and Rabindranath Tagore

In 1923 Tagore dedicated his lyrical play Basanta to Nazrul Islam, who was jailed at the time. While Nazrul Islam was on a 40-day fast, Tagore sent him a telegram that read, “Give up hunger strike. Our literature claims you.” The admiration was mutual. Nazrul Islam provided the music for a 1938 film adaptation of Tagore’s novel Gora (1910). He also wrote several poems about Tagore, including the elegiac “Rabihara” (“The Loss of Rabi”) after Tagore’s death in 1941.

Nazrul Islam left the army in 1920, moving to Calcutta (now Kolkata). That same year his first novel, Bandhan-hara (“Freedom from Bondage”), was published serially, and he became a prominent figure in the city’s literary circuit and social clubs. In 1922 Nazrul Islam published his most famous work, the poem “Bidrohi” (“The Rebel”), which extolls the human capacity for valor and is remarkable for its references to Hinduism, Islam, and Greek mythology. The poem’s call to action against oppression resonated with the noncooperation movement, and Nazrul Islam’s writings, collected in anthologies such as Agnibina (“Lyre of Fire”), became popular for their nationalist fervor.

Nazrul Islam established a biweekly political magazine called Dhumketu (1922; “Comet”), which was severely critical of British rule in India. Nazrul Islam was arrested and jailed for sedition in January 1923 after the publication of the protest poem “Anondomoyeer Agomone” (“On the Arrival of the Blissful One”). While in prison he went on a 40-day fast to protest alleged harassment of prisoners by the British superintendent of Hugli jail. He was released in December 1923. Having thus far opposed British rule through his writings, he joined the Bengal chapter of the Indian National Congress in 1925. In 1930 Nazrul Islam was arrested on sedition charges for a second time after the publication and subsequent banning of his book Pralayshikha (“Flame of Destruction”). However, the case was dismissed in 1931 after the signing of the Gandhi-Irwin Pact, in which the British agreed to release political prisoners.

Musical career

“Karar Oi Louho Kopat”

In addition to his spiritual compositions Kazi Nazrul Islam wrote songs of dissent, such as “Karar Oi Louho Kopat” (“Those Iron Gates of Prison”). It was composed to protest the arrest of freedom fighter Chittaranjan Das in 1921 and is widely sung in contemporary Bangladesh and West Bengal.

Nazrul Islam’s Nazrul Geeti is known for blending folk elements with classical and devotional music traditions. While his poetry is secular in nature, his songs often have spiritual themes. He composed several bhajans and kirtanas (Hindu songs of a religious nature) and contributed to Shyama sangeet (a genre of Bengali hymns in praise of the deity Kali, also called Shyama). He also composed numerous ghazals in Bengali and is credited with bringing Islamic music traditions into the mainstream arts and culture of Bengal, which had been traditionally dominated by Hindus. From 1928 to 1932 he was associated with the Gramophone Company and its label His Master’s Voice (HMV), and his songs were widely broadcast on radio stations, bringing him national attention as a lyricist and composer. He also composed songs for the fledgling Bengali film industry, and his musical career gradually eclipsed his political activities.

Personal life, health decline, and move to Bangladesh

In 1924 Nazrul Islam married Pramila Devi, who was a member of the Brahmo Samaj (a Hindu reform movement). The union attracted criticism from the Brahmo Samaj as well as the Muslim community. In 1941 Rabindranath Tagore died, leaving Nazrul Islam severely distressed. Shortly afterward, he suffered a psychological decline, eventually losing the ability to speak. Pramila Devi died in 1962, and Nazrul Islam moved to Dhaka in 1972, after East Pakistan became the independent country Bangladesh. He received Bangladeshi citizenship in February 1976 and was officially declared the country’s national poet in 2024 (retroactive to 1972). Nazrul Islam died in August 1976 and, by his own wish, was buried next to a mosque on the campus of the University of Dhaka.

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Gitanjali Roy

Indian literature, writings of the Indian subcontinent, produced there in a variety of vernacular languages, including Sanskrit, Prakrit, Pali, Bengali, Bihari, Gujarati, Hindi, Kannada, Kashmiri, Malayalam, Oriya, Punjabi, Rajasthani, Tamil, Telugu, Urdu, Lahnda, Siraiki, and Sindhi, among others, as well as in English. The term Indian literature is used here to refer to literature produced across the Indian subcontinent prior to the creation of the Republic of India in 1947 and within the Republic of India after 1947.

A brief treatment of Indian literature follows. For a fuller treatment, see South Asian arts: Literature. See also Islamic arts: Islamic literatures, India: The arts, Pakistan: The arts, and Bangladesh: The arts.

The earliest Indian literature took the form of the canonical Hindu sacred writings, known as the Veda, which were written in Sanskrit. To the Veda were added prose commentaries such as the Brahmanas and the Upanishads. The production of Sanskrit literature extended from about 1500 bce to about 1000 ce and reached its height of development in the 1st to 7th centuries ce. In addition to sacred and philosophical writings, such genres as erotic and devotional lyrics, court poetry, plays, and narrative folktales emerged.

Emily Dickinson (1830-1886) only confirmed photograph of Emily Dickinson. 1978 scan of a Daguerreotype. ca. 1847; in the Amherst College Archives. American poet. See Notes:
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Because Sanskrit was identified with the Brahminical religion of the Vedas, Buddhism and Jainism adopted other literary languages (Pali and Ardhamagadhi, respectively). From these and other related languages emerged the modern languages of northern India. The literature of those languages depended largely on the ancient Indian background, which includes two Sanskrit epic poems, the Mahabharata and Ramayana, as well as the Bhagavata-purana and the other Puranas. In addition, the Sanskrit philosophies were the source of philosophical writing in the later literatures, and the Sanskrit schools of rhetoric were of great importance for the development of court poetry in many of the modern literatures. The South Indian language of Tamil is an exception to this pattern of Sanskrit influence because it had a classical tradition of its own. Urdu and Sindhi are other exceptions.

Beginning in the 19th century, particularly during the height of British control over the subcontinent, Western literary models had an impact on Indian literature, the most striking result being the introduction of the use of vernacular prose on a major scale. Such forms as the novel and short story began to be adopted by Indian writers, as did realism and an interest in social questions and psychological description. A tradition of literature in English was also established in the subcontinent.

Articles on individual literatures of the Indian subcontinent not specified above include Pali literature, Bengali literature, Gujarati literature, Hindi literature, Kannada literature, Punjabi literature, Tamil literature, Telugu literature, Urdu literature, and Sindhi literature.

This article was most recently revised and updated by J.E. Luebering.