Quick Facts
In full:
Kristoffer Kristofferson
Born:
June 22, 1936, Brownsville, Texas, U.S.
Died:
September 28, 2024, Maui, Hawaii (aged 88)
Awards And Honors:
Grammy Award
Rhodes Scholarship
Golden Globe Award
Top Questions

What is Kris Kristofferson known for?

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For which song did Kris Kristofferson win his first Grammy?

Who were the original members of Kris Kristofferson’s band the Highwaymen?

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Kris Kristofferson (born June 22, 1936, Brownsville, Texas, U.S.—died September 28, 2024, Maui, Hawaii) was an American singer-songwriter and actor known for his gravelly voice and rugged good looks and a string of country music hits, notably “Me and Bobby McGee,” “Help Me Make It Through the Night,” “For the Good Times,” and “Once More with Feeling.” He was regarded as one of country’s finest songwriters in the 1960s and ’70s. He was also known for his roles in such films as Pat Garrett and Billy the Kid (1973), A Star Is Born (1976), and Lone Star (1996).

Early life and career

As a teenager, Kristofferson was an accomplished writer and athlete. He attended Pomona College in California, where he played football and became a Golden Gloves boxer, a cadet commander of his ROTC battalion, the sports editor of the school paper, and an honor student in English. He also won awards for his short-story writing in a competition sponsored by the Boston-based journal The Atlantic Monthly. He received a Rhodes scholarship to attend the University of Oxford in England, where he studied the poetry of William Blake and earned a master’s degree.

Kristofferson, a son and grandson of military officers, joined the U.S. Army in 1960, becoming a U.S. Army Ranger and learning to fly helicopters while stationed in what was then West Germany. His studies in literature and poetry prompted an interest in songwriting, and, while he was in the army, he put together a band. When he finished his military tour, he turned down a teaching position at West Point Academy and instead settled in Nashville, where, despite his parents’ objections, he began to pursue a career in music. Kristofferson began selling his songs and working day jobs. He had the good fortune to meet Johnny Cash, who was already a star and took Kristofferson under his wing. Cash introduced Kristofferson at the 1969 Newport Folk Festival, where the struggling singer-songwriter first performed for a big audience and, subsequently, gained some footing in the music industry.

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Music career

In 1971 three of the five Grammy Award nominations for best country song were for songs written by Kris Kristofferson, as were two of the five nominations for song of the year.

Although Kristofferson released an eponymous solo album in 1970 with Monument Records, he continued to be recognized primarily for his songwriting, which was sought after by country and pop singers alike. He also collaborated with poet and cartoonist Shel Silverstein, who cowrote songs such as “Your Time’s Comin’ ” (recorded by Faron Young in 1969) and “Once More with Feeling” (recorded by Jerry Lee Lewis in 1970). “Me and Bobby McGee,” though usually associated with Janis Joplin (who recorded it shortly before her death in 1970), was written by Kristofferson and first recorded by Roger Miller in 1969. It was later recorded by Kenny Rogers (1969) and Gordon Lightfoot (1970) as well as by many other artists of various genres since that time. Kristofferson recorded and released the song on his album Kristofferson in 1970.

He continued to produce hits, such as “For the Good Times,” recorded by Ray Price and then named song of the year for 1970 by the Academy of Country Music. That same year Cash’s recording of Kristofferson’s “Sunday Morning Coming Down” was named song of the year by the Country Music Association. In 1971 three of the five Grammy Award nominations for best country song were for songs written by Kristofferson, as were two of the five nominations for song of the year. He won his first Grammy for 1971’s best country song: “Help Me Make It Through the Night.” He recorded about a dozen of his own albums during the 1970s, three of which were collaborations with country singer Rita Coolidge, to whom he was married from 1973 to 1979. Their first album, Full Moon (1973), went gold (achieved sales of half a million copies).

Film career and the Highwaymen

While he continued to write songs, record, and perform, Kristofferson was also gaining a reputation as a movie actor. He landed his first small role as a singer in The Last Movie (1971), directed by Dennis Hopper. His first notable performance was in Pat Garrett and Billy the Kid (1973), in which he played the notorious outlaw Billy the Kid opposite James Coburn. He played the romantic lead in Martin Scorsese’s Alice Doesn’t Live Here Anymore (1974), opposite Ellen Burstyn; The Sailor Who Fell from Grace with the Sea (1976), opposite Sarah Miles; and A Star Is Born (1976), opposite Barbra Streisand. The latter was a breakthrough film for Kristofferson, earning him a Golden Globe for his performance as an aging alcoholic musician. However, Heaven’s Gate (1980), in which he also starred, was a critical and financial flop, and afterward he shifted his focus to television series and made-for-TV movies for the next several years.

Still moving forward with his music career, Kristofferson during the 1980s started a band with fellow country musicians Cash, Waylon Jennings, and Willie Nelson. The band recorded a single and then an album titled Highwayman (1985). Both the single and the album rose to number one on the Billboard country music charts. The group, which became known informally as the Highwaymen, released three albums over the course of a decade, with Highwayman 2 in 1990 and their last one, The Road Goes On Forever, in 1995.

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In 1996 Kristofferson was cast as a corrupt sheriff in the John Sayles film Lone Star. His performance was a critical success, revived his acting career, and won him many more roles through the rest of the 1990s, including that of a vampire hunter in Blade (1998) and its two sequels (2002 and 2004) and that of a Paris-based American novelist in James Ivory’s A Soldier’s Daughter Never Cries (1998), based on the life of writer James Jones. Kristofferson acted in a steady stream of feature films that included Sayles’s Limbo (1999), Tim Burton’s Planet of the Apes (2001), Ethan Hawke’s Chelsea Walls (2001), Ken Kwapis’s He’s Just Not That into You (2009), the family movie Dolphin Tale (2011) and its 2014 sequel, the musical comedy Joyful Noise (2012), and the western Traded (2016).

Later work and awards

In the early 21st century Kristofferson released several albums of original material. This Old Road (2006) was his first collection of new songs in more than 10 years. He followed with Closer to the Bone (2009) and Feeling Mortal (2013). In 2016 he offered a two-disc box set of his best-known songs, The Cedar Creek Sessions, which had been recorded in 2014.

Kristofferson was inducted into the Songwriters Hall of Fame in 1985 and the Country Music Hall of Fame in 2004. He won numerous awards, among them the Songwriters Hall of Fame Johnny Mercer Award (2006) and a Grammy Lifetime Achievement Award (2014).

Naomi Blumberg
Also called:
country and western

country music, style of American popular music that originated in rural areas of the South and West in the early 20th century. The term country and western music (later shortened to country music) was adopted by the recording industry in 1949 to replace the derogatory label hillbilly music.

Ultimately, country music’s roots lie in the ballads, folk songs, and popular songs of the English, Scots, and Irish settlers of the Appalachians and other parts of the South. In the early 1920s the traditional string-band music of the Southern mountain regions began to be commercially recorded, with Fiddlin’ John Carson garnering the genre’s first hit record in 1923. The vigour and realism of the rural songs, many lyrics of which were rather impersonal narratives of tragedies pointing to a stern Calvinist moral, stood in marked contrast to the often mawkish sentimentality of much of the popular music of the day.

More important than recordings for the growth of country music was broadcast radio. Small radio stations appeared in the larger Southern and Midwestern cities in the 1920s, and many devoted part of their airtime to live or recorded music suited to white rural audiences. Two regular programs of great influence were the “National Barn Dance” from Chicago, begun in 1924, and the “Grand Ole Opry” from Nashville, begun in 1925. The immediate popularity of such programs encouraged more recordings and the appearance of talented musicians from the hills at radio and record studios. Among these were the Carter Family and Jimmie Rodgers, whose performances strongly influenced later musicians. These early recordings were of ballads and country dance tunes and featured the fiddle and guitar as lead instruments over a rhythmic foundation of guitar or banjo. Other instruments occasionally used included Appalachian dulcimer, harmonica, and mandolin; vocals were done either by a single voice or in high close harmony.

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With the migration of many Southern rural whites to industrial cities during the Great Depression and World War II, country music was carried into new areas and exposed to new influences, such as blues and gospel music. The nostalgic bias of country music, with its lyrics about grinding poverty, orphaned children, bereft lovers, and lonely workers far from home, held special appeal during a time of wide-scale population shifts.

During the 1930s a number of “singing cowboy” film stars, of whom Gene Autry was the best known, took country music and with suitably altered lyrics made it into a synthetic and adventitious “western” music. A second and more substantive variant of country music arose in the 1930s in the Texas-Oklahoma region, where the music of rural whites was exposed to the swing jazz of black orchestras. In response, a Western swing style evolved in the hands of Bob Wills and others and came to feature steel and amplified guitars and a strong dance rhythm. An even more important variant was honky-tonk, a country style that emerged in the 1940s with such figures as Ernest Tubb and Hank Williams. Honky-tonk’s fiddle–steel-guitar combination and its bitter, maudlin lyrics about rural whites adrift in the big city were widely adopted by other country musicians.

The same period saw a concerted effort to recover some of country music’s root values. Mandolin player Bill Monroe and his string band, the Blue Grass Boys, discarded more recently adopted rhythms and instruments and brought back the lead fiddle and high harmony singing. His banjoist, Earl Scruggs, developed a brilliant three-finger picking style that brought the instrument into a lead position. Their music, with its driving, syncopated rhythms and instrumental virtuosity, took the name “bluegrass” from Monroe’s band.

But commercialization proved a much stronger influence as country music became popular in all sections of the United States after World War II. In 1942 Roy Acuff, one of the most important country singers, co-organized in Nashville the first publishing house for country music. Hank Williams’ meteoric rise to fame in the late 1940s helped establish Nashville as the undisputed centre of country music, with large recording studios and the Grand Ole Opry as its chief performing venue. In the 1950s and ’60s country music became a huge commercial enterprise, with such leading performers as Tex Ritter, Johnny Cash, Tammy Wynette, Buck Owens, Merle Haggard, Patsy Cline, Loretta Lynn, and Charley Pride. Popular singers often recorded songs in a Nashville style, while many country music recordings employed lush orchestral backgrounds.

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The 1970s saw the growth of the “outlaw” music of prominent Nashville expatriates Willie Nelson and Waylon Jennings. The gap between country and the mainstream of pop music continued to narrow in that decade and the next as electric guitars replaced more traditional instruments and country music became more acceptable to a national urban audience. Country retained its vitality into the late 20th century with such diverse performers as Dolly Parton, Randy Travis, Garth Brooks, Reba McEntire, Emmylou Harris, and Lyle Lovett. Its popularity continued unabated into the 21st century, exemplified by performers Kenny Chesney, Brad Paisley, Alan Jackson, Blake Shelton, Carrie Underwood, Miranda Lambert, the Zac Brown Band, and Chris Stapleton, among others. Despite its embrace of other popular styles, country music retained an unmistakable character as one of the few truly indigenous American musical styles.

The Editors of Encyclopaedia BritannicaThis article was most recently revised and updated by Amy McKenna.