Mike Leigh

Mike Leigh (born February 20, 1943, Salford, Lancashire, England) is a British writer and director of film and theatre, known for his finely honed depictions of quotidian lives and for his improvisational rehearsal style.

Leigh studied acting at the Royal Academy of Dramatic Art in London in the early 1960s, but his interest in writing and directing led him to switch schools several times, and he ultimately graduated from the London School of Film Technique (now London Film School) in 1965. About that time he began developing a method for creating narratives that relied on actors’ improvisations to manufacture characters and conflict in an organic manner. That method would become a signature feature of Leigh’s work thereafter. His play Bleak Moments (1970), about a woman grappling with the demands of everyday life, evolved from this process, and he adapted the script a year later for his first feature film.

After Bleak Moments, Leigh wrote and directed a number of plays and movies for television, including Nuts in May (1976) and Abigail’s Party (1977). In 1988 he returned to the cinema with High Hopes, which sheds light on social distinctions among ordinary modern Britons. He explored similar slice-of-life themes in the poignant comedy Life Is Sweet (1990), about the ordeals of a suburban London family. It was followed by Naked (1993), a stark portrait of a disaffected loner that earned Leigh the best director prize at the Cannes film festival.

Leigh gained further international success with the release of Secrets and Lies (1996), which follows a black woman’s search for her birth mother, who turns out to be white. The film won the Palme d’Or at Cannes and also received five Academy Award nominations, including best picture, best original screenplay, and best director. After Career Girls (1997), which affectionately depicts a reunion between two former roommates, Leigh wrote and directed Topsy-Turvy (1999). In a departure from his work to that point, which typically followed wholly fictional characters in present-day contexts, the film centres on the famous 19th-century partnership of light-opera librettist W.S. Gilbert and composer Arthur Sullivan; it earned him another Oscar screenplay nomination.

Leigh returned to a contemporary setting with All or Nothing (2002), which focuses on the residents of a public housing estate. He captured Oscar nominations for best director and best original screenplay for Vera Drake (2004), about a kindhearted woman in early 1950s England who clandestinely performs abortions. In his next two films Leigh explored relationships between characters with disparate emotional attitudes. Happy-Go-Lucky (2008) presents the story of a free-spirited woman navigating the world around her, while Another Year (2010) follows a happily married couple and their less-sanguine family and friends. Both films earned Academy Award nominations for best original screenplay. In 2011 Leigh directed the Royal National Theatre debut of his play Grief, about the cloistered existence of a family still struggling with the loss of its patriarch in World War II a decade after the end of the conflict. The biopic Mr. Turner (2014) was an acerbic examination of the life of painter J.M.W. Turner (played by Timothy Spall). Leigh’s next film, Peterloo (2018), centres on the Peterloo Massacre (1819), in which a peaceful political rally was attacked by British forces.