Rick Mercer
- Byname of:
- Richard Vincent Mercer
- Born:
- October 17, 1969, St. John’s, Newfoundland [now Newfoundland and Labrador], Canada (age 55)
- Also Known As:
- Richard Vincent Mercer
Rick Mercer (born October 17, 1969, St. John’s, Newfoundland [now Newfoundland and Labrador], Canada) is a Canadian satirist, comedian, actor, and writer whose insightful lampooning of Canadian politics made him a national icon.
Mercer grew up in an exurb of St. John’s in a middle-class family that loved to discuss politics. While in high school (which he departed one credit short of graduation), he wrote and performed in an award-winning one-act play and cofounded Corey and Wade’s Playhouse, a theatre troupe that performed around St. John’s. In 1990 he won praise for Show Me the Button, I’ll Push It (or, Charles Lynch Must Die), the one-person show he first presented as an angry young man of 21. After touring with it and, later, another one-man show, I’ve Killed Before, I’ll Kill Again, in 1993 Mercer began an eight-season run on the Canadian Broadcasting Corporation (CBC) in This Hour Has 22 Minutes, an inventive sketch-comedy-based television show he created with several fellow Newfoundlanders.
Among Mercer’s memorable contributions to the show was an online petition (signed by about a million Canadians) to compel Canadian Alliance leader Stockwell Day to change his name to Doris. On This Hour, Mercer also introduced the recurring feature “Talking to Americans,” interviews that hilariously revealed U.S. ignorance of Canada—including an ambush of then presidential candidate George W. Bush, who accepted the endorsement of fictitious Canadian Prime Minister Jean Poutine. In 2001 an hour-long version of “Talking to Americans” gained the largest audience (2.7 million viewers) for a comedy special in CBC history.
In 1998 Mercer and his life partner, writer-producer Gerald Lunz, created Made in Canada, a situation comedy about the Canadian film and television industry, with Mercer as its ruthless protagonist. After that show’s five-season run, Mercer and Lunz in 2004 introduced Rick Mercer’s Monday Report, a comedic news-focused program that drew comparisons to American television’s The Daily Show. Like that program’s host, Jon Stewart, Mercer was commended not only as a satirist but as a trustworthy news source. Mercer, however, was quick to define his role as that of an editorial cartoonist, except when performing his rant, the rapid-fire monologue he originated on This Hour. Many of those rants were collected in Mercer’s best-selling book Streeters (1998), and later rants appeared in The Rick Mercer Report: The Book (2007).
In a typical rant on The Rick Mercer Report (renamed when it switched broadcast nights), for roughly two minutes the teleprompter-less Mercer would frenetically prowl a graffiti-splattered alley in Toronto, delivering heartfelt harangues to a backpedaling cameraman on everything from the state of the Liberal Party to bullying. In 2011 his admonishment to young people to vote prompted “vote mobs” of college students celebrating the franchise and resulted in landmark levels of participation by younger voters in the federal election. The Rick Mercer Report also showed Mercer traveling the country, reveling in all manner of Canadiana, from moose tagging to witnessing the Arctic Winter Games. But politics remained his forte. Among his many offbeat encounters with politicians have been several famous interludes with prime ministers, including eating fast food with Jean Chrétien, instructing Paul Martin in window insulation, and being read a bedtime story by Stephen Harper.
In September 2017 Mercer announced that the next season of The Rick Mercer Report would be its last, saying, “I’ve always known that I had the best job in the country.” After 15 seasons and 277 episodes, he brought the series to an end in April 2018. Later that year he published Final Report, which collected previously unpublished rants from the last five years of his show along with some of the best rants from earlier years and included essays on the making of the program.